Search your favorite song right now

1. GNOSSIENNE Nº1 - Erik Satie (DJ Nirso Minimal Remix) REMASTERED

  • Published: 2013-10-23T22:23:18Z
  • By DJ Nirso
GNOSSIENNE Nº1 - Erik Satie (DJ Nirso Minimal Remix) REMASTERED

Well, hum, .... Since I've been having a few complaints about the mastering volume, I've uploaded a mastered version of this song. Now I think it will sound better in high volumes. Enjoy!

nothing at of , which is



3. ERIK-SATIE-GNOSSIENNE-Nº-1-2-3-

ERIK-SATIE-GNOSSIENNE-Nº-1-2-3-

Éric Alfred Leslie Satie (signed his name Erik Satie after 1884) (17 May 1866, Honfleur -- 1 July 1925, Paris) was a French composer and pianist. These Three Gnossiennes were composed around 1890 and first published in 1893. A revision prior to publication in 1893 is not unlikely, the 2nd Gnossienne may even have been composed in that year (it has "April 1893" as date on the manuscript). The piano solo versions of the first three Gnossiennes are without time signatures or bar lines, which is known as free time. These Gnossiennes were first published in Le Figaro musical No. 24 of September 1893 (Gnossiennes Nos. 1 and 3, the last one of these then still "No. 2") and in Le Cœur No. 6--7 of September--October 1893 (Gnossienne No. 2 printed as facsimile, then numbered "No. 6"). The first grouped publication, numbered as known henceforth, followed in 1913. By this time Satie had indicated 1890 as composition date for all three. The first Gnossienne was dedicated to Alexis Roland-Manuel in the 1913 reprint. The 1893 facsimile print of the 2nd Gnossienne contained a dedication to Antoine de La Rochefoucauld, not repeated in the 1913 print. This de La Rochefoucauld had been a co-founder of Joséphin Péladan's Ordre de la Rose-Croix Catholique et Esthetique du Temple et du Graal in 1891. By the second publication of the first set of three Gnossiennes, Satie had broken already for a long time with all Rosicrucian type of endeavours. Also with respect to the tempo these Gnossiennes follow the Gymnopédies line: slow tempos, respectively "Lent" (French for Lento), "avec étonnement" ("with astonishment"), and again "Lent". A sketch containing only two incomplete bars, dated around 1890, shows Satie beginning to orchestrate the 3rd Gnossienne.

nothing at of , which is



5. Gnossienne Nº 1

Gnossienne Nº 1

nothing at of , which is


6. 01 Gnossienne Nº1 - Satie - Piezas Para Piano

01 Gnossienne Nº1 - Satie - Piezas Para Piano

Esto solo es un ejemplo para mi amiga Casandra.

nothing at of , which is


7. Gnossienne Nº1 - Satie

Gnossienne Nº1 - Satie

Incluido en el álbum "Clásicos enganchados", 2015 www.domadoresdepolillas.com.ar www.facebook.com/domadoresdepolillas www.twitter.com/DePolillas

nothing at of , which is



9. Gnossienne n•1 - Erik Satie

Gnossienne n•1 - Erik Satie

"Caracollante-Negligente-Andante"

nothing at of , which is


10. Gnossienne nº1 - Eric Satie (Arr: R. Dyens)

Gnossienne nº1 - Eric Satie (Arr: R. Dyens)

O programa "Ambientes" que apresento sugere reviver o espírito de variados géneros da música, espanhola dos finais do séc. XIX, baladas sul-americanas, temas tradicionais Ingleses, melodias francesas, passando por temas dos anos 60 e 70 até à suave evocação das Valsas Brasileiras, Chôros, dos temas de Jazz e Bossa Nova e toda a sorte de peças do repertório da Guitarra Clássica bem como várias transcrições e arranjos. A interpretação dos temas apresenta-se com uma concepção instrumental erudita que cultiva o som quente e elegante que caracteriza a sonoridade da Guitarra Clássica, instrumento no qual realizei estudos superiores na vertente da performance musical. —— The "Ambientes" program I present suggests reviving the spirit of varied genres of music, that goes from the late XIX century Spanish guitar scores, South American ballads, traditional English, French melodies, themes from the 60s and 70s, to the smooth evocation of Brazilian Waltzes, Choros, themes of Jazz and Bossa Nova and all sorts of pieces of the Classical Guitar repertoire as well as several self-made transcriptions and arrangements. The interpretation of the music is presented with a classical instrumental conception cultivating the warm and elegant sound that characterizes the classical guitar, an instrument on which I developed my higher education in the field of the musical performance.

nothing at of , which is


11. GNOSSIENNE Nº1

GNOSSIENNE Nº1

nothing at of , which is


12. GNOSSIENNE Nº1

GNOSSIENNE Nº1

nothing at of , which is



14. Gnossienne Nº1 - Librecuarteto

Gnossienne Nº1 - Librecuarteto

Música/Music: Erik Satie Arreglos/Arrangement: Librecuarteto José Burgos: Guitarra eléctrica (Electric guitar) Adrián Moroni: Melódica (Melodica) Migue Rossi: Sintetizador (Synthesizer) Pablo Soler: Guitarra de nylon (Spanish guitar) Juan Soto: Batería (Drums) Joaquín Zanardi: Bajo(Bass) Grabado en vivo en / Recorded live at: La Terraza Ingeniero de grabación / Sound engineer: Pablo Soler

nothing at of , which is


15. Gnossienne Nº1, PROYECTO VOLTAIRE - MÚSICA DE MOBILIARIO

Gnossienne Nº1, PROYECTO VOLTAIRE - MÚSICA DE MOBILIARIO

“PROYECTO VOLTAIRE - Música de Mobiliario" es un trabajo en proceso en el que estamos inmersos y motivados, dejando que nuestras cuarentonas neuronas desfoguen un poco. Una nueva propuesta escénica/musical de Lapso Producciones que se basa en un proyecto abierto que nos permita experimentar, re-interpretando la música de algunos de nuestros referentes y trabajar temas de una cosecha propia regada con gusto.Una formación compuesta por el cuarteto de tres: acordeón, trompeta y un singular set de percusión hecho a partir de una funda de guitarra, en la que además usamos el serrucho musical y otras rarezas sonoras. De estilo inclasificable, el repertorio incluye temas como Gnossienne Nº1 de Erik Satie, Alabama Song de Kurt Weill, Ave María de Schubert, y algunas composiciones propias. La puesta en escena tiene un aire un tanto extravagante www.lapsoproducciones.com

nothing at of , which is