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1. (IM007) Bwana - Over & Done EP 12"/Digital

(IM007) Bwana - Over & Done EP 12

Bwana - Over & Done EP 12"/Digital (January 21st 2012) Limited to 300 copies. Distributed by Kudos Records 12" A1.- It Ain't Done Til It's Over A2.- When There's Nothing Left B1.- Sleeping In B2.- It Ain't Done Til It's Over (XI Remix) Digital 01.- It Ain't Done Til It's Over 02.- When There's Nothing Left 03.- Sleeping In 04.- It Ain't Done Til It's Over (XI Remix) 05.- When There's Nothing Left (Jack Dixon Remix) 06.- It Ain't Done Til It's Over (Sibian & Faun Remix)

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2. FADER Mix: Infinite Machine

  • Published: 2017-04-13T17:49:20Z
  • By The FADER
FADER Mix: Infinite Machine

Interview and tracklist:

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3. First Listen: Ziúr - 'Lilith' Ft. RIN(Infinite Machine)

  • Published: 2016-06-10T14:18:31Z
  • By Hyponik
First Listen: Ziúr - 'Lilith' Ft. RIN(Infinite Machine)

Featured here: An incendiary track from (featuring, forthcoming on her debut EP for – Taiga, out July 1st.

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4. Infinite Machine - RA Label of the month mix

Infinite Machine - RA Label of the month mix

Wolf, AKA Charlie Juarez, and Liar present the sound of Infinite Machine in two "phases." Read the feature: Phase 1 - Wolf: Keru Not Ever - Pink Chrome and the Smile of Karenine (IM052) Born in Flamez & Modeselektor - TBF (IMFS2) Beaka - Killjoy (IM022) Aphix - Trick or Truth (IM036) W3C - Bot-o'-War (IM049 Forthcoming) G-23 - War Drums (IMSL16) Lokane - Eastway Project (IM034) Tomás Urquieta - Anatomía (M.E.S.H. Remix) (IM047) Wallwork & RZR - Tonatiuh Dance (IMSL20) ??????? - ???? (Forthcoming) B.YHZZ - HOL (IM045) Hound Scales - Suction Clip (IMSL4) Tsunga - Masstext (IM035) Ziur - Fever (IM044) Tomás Urquieta - La Muerte de Todo lo Nuevo (IM047) Abyss X - AMADEUS (IM050) 123Mrk - Invisible Colors (Deft Remix) (IM018) Phase 2 - Liar: Liar - Black Christmas (IM0XM) Liar - Assamite (IM020) Effy - Move (Troy Gunner Remix) (IM026) Ill Life - GO (Liar Resex) (IM019) Wolf & Liar - The Truth Liar - Ha-REM (IM025) Liar - Nymph Hunter (IM013) Liar - Cybertime (IM023) Korma - Orloj (Liar Optimix) (IM031) Liar - Enoch Dub (IM030)

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5. Alfred English - Piston (Tsvi & Luru Remix)

Alfred English - Piston (Tsvi & Luru Remix)

The Astral Plane Premiere Read More: @tsvisions @luruofficial @alfred_english @do-the-astral-plane

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6. IM018 123Mrk - Noname EP Remixed (Out now!)

IM018 123Mrk - Noname EP Remixed (Out now!)

This spring, as a tribute to fantastic Frenchman 123Mrk's breakout debut on Infinite Machine, the "Noname" EP, we've proudly put together a hefty, ecletic collection of remixes from peers and fans of the effervescent post-dubstep innovator. The eponymous track first gets the Framework treatment: a wistful yet energic dense percussive workout. Then, Pixelord spins it into a playful, arp-driven future beats number. Heblank focuses on the original's house elements, and repurposes them as the basis for heavyweight, rave-piano-driven 4/4 banger. Resketch seemingly takes the same initial route, but his take on a house re-imagining is of a more chilled-out, deep and balearic persuasion. "Unrest" is updated to 2013 hit status via Arapaima's faithful, emotional and uplifting trap edit. Seapoint applies his signature stop-start beats dynamic on his take, creating an indefinable, next-gen, quirky and murky bass music banger. Liar, curveballing as usual, employs the talents of piano experimentalist Parachute Pulse and samples one of his own signature tracks to create a metallic, spacey, lo-fi esotech cover. Dub wizard Troy Gunner molds "Unrest" into a contemplative, hypnagogic finale for the release. "Pleasure" explodes under Obey City's touch into a genre-obsolete, exuberant fusion of nostalgic synthwork, sci-fi sound design, and ravey, energizing breakbeat. ViLLAGE brings his impeccable pop sensibilities to his faithful take on the original, perfecting it into the urgent, slighty trapped-out anthem of this relase. M.Constant, on the other hand, warps it nearly beyond recognition into a sexy melange of bluesy, vocal-driven warehouse techno and UKG. Herr Johann goes the future garage route for his take on it, but eschews the lamentable gloominess oft-associated with the genre, instead opting for thoughtful optimism and an irresistably immersive atmosphere on top of the woodblocks. "Invisible Colors", in the deft hands of Deft, becomes a vibrant post-footwork roller, replete with retrofuturistic synth washes and bubbling arps. TOTTE takes the track into UKG-revivalist territory, utilizing insanely catchy, soulful vocal cuts, talking percussion, and an unbridled sense of fun. Druid Cloak's signature "Broked-n-Cloak'd" approach infuses his remix with a psych-folky, magical quality. Fresh from the grove. Head over to XLR8R to download Obey City's remix of "Pleasure"

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7. IM026 - Effy - Distant Sounds (12"/Digital Out Now!)

IM026 - Effy - Distant Sounds (12

Soundcloud: @effymusicireland Facebook: About to Blow Review: THUMP track premier: "Move" DJ Mag Review: Spectrum Review: 12": Juno Records: Hardwax: Red Eye Records: Digital: Juno Download: Beatport: Boomkat: Irishmen Kieran Craddock & Peter Fleming, aka Effy, after 2 releases on Disco’s Dead and Erimus, respectively, showcasing their jackin’ house and dark warehouse proclivities, and attracting support from UK households such as Swamp81, are now armed and ready to join the IM family. Part of the encroaching brit monopoly of our roster, alongside Beaka, Seb Wildblood, Wallworks/RZR, Kalpa, iO Sounds, Troy Gunner et al, their work on “Distant Sounds” is a testament to our dedication to steal the cream of the crop of UK talent and release it on the other side of the Atlantic. Tee-hee. Now then, on to the music. “Move” is probably the sexiest track we’ve ever put out (barring the dubious sensuality of most Liar trax). “Just a little bit” go the breathy vocal cuts, and the rest of the track complies. Seductive rather than lascivious, it’s pervaded by a less-is-more approach that does away with any superfluous element one might encounter in modern clubbing. “Bourbon Switch” continues among the same lines, albeit being a bit of a punchier, more driving affair. Garage percussion, basslines, house groove, techno gravitas – for anybody familiar with the UK scene, this is nothing new; however, few others juggle these as well, and with as much functionalist immediacy, as Effy do. On the remix tip, things get mental. Troy Gunner takes “Move” into heretofore uncharted territories – stripping down the track even more, utilizing silence and space to spectacular results, and inflecting a thoroughly alien rhythm. Hound Scales does the very opposite, driving his ‘Shade 2 Go’ remix hard, plentifully building atop the original into a perfect morsel for those hungry for his unique brand of outsider techno. Distant sounds from distant future, graciously available to you courtesy of Infinite Machine. ((∞)) Release Date: September 29th Format: 12" / Digital Artwork by: Liam Devine Tracklist: A1.- Move A2.- Move (Troy Gunner Remix) B1.- Bourbon Switch B2.- Bourbon Switch (Hound Scales Shade 2 Go Remix)

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8. Introduce Me To Your Friends (INFINITE MACHINE)

  • Published: 2011-02-14T13:50:20Z
Introduce Me To Your Friends (INFINITE MACHINE)

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9. First Listen: Pixelord & Born In Flamez - 'Blockchain' (Infinite Machine)

  • Published: 2017-11-22T17:05:52Z
  • By Hyponik
First Listen: Pixelord & Born In Flamez - 'Blockchain' (Infinite Machine)

Both @pixelord and @born-in-flamez have a deep-rooted interest in cyber-futurist ideas, which is reflected in 'Blockchain's' neon-lit synthwork and metallic, abrasive percussion. Read more:

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10. Ziúr - Nails

Ziúr  - Nails

@ziurziurziur FADER Premiere: Taken from the forthcoming "Taiga" EP out July 1. "'Nails' relates to everyday madness, to being restless, and always on the edge. It's about systematic oppression functioning as a form of stigmata. But all things considered, it is meant more as an empowering statement, to keep being weird and visible. Not to stay nailed to the ground but to stab back. Speak up."

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11. Alfred English - Piston

Alfred English - Piston

@alfred_english Piston Video Premiere on FACT: Marking the beginning of a new era, ULTRAMAJIC label manager and internet savant Alfred English welcomes his anticipated debut on Infinite Machine. Perhaps more serious than his visual artwork, the “Piston” EP sees Alfred craft club music that is as strangely heavy and hardcore as it is comforting and emotional. Rather than filtering the fleeting trends of the grime/club wasteland, the Los Angeles artist takes to the vast, industrial tradition of weaving hardcore with dark, broken beats and emotive, retro chords, built with the attention of an IDM or EBM producer. Opening song “Air Grid” (available from XLR8R as a free download) is an experiment in syncopation and the art of continual tension building, rhythmically contrasting the dramatic synth stabs against regionally-rotating drum patterns, nodding to ‘80s electro as much as it does to classic Jersey club, and embodying the spirit of Jimmy Edgar, DJ Haus, and early Hotflush. “Proximity Mine”, the second track, heavily electrifies the basis of “Air Grid”, leading industrial techno stabs in a brutal, pulsating call and response over a driving, concrete club rhythm. In the second half, Alfred summons up the likes of Alex Coulton or early Distance with an oscillating, half-time deconstruction that paralyzes the violence of the first half. With an inviting, emotional introduction, the EP’s title track, “Piston”, doesn’t take long to collapse into a merciless, alien assault. The light, club beat is simple yet clear, the melody is subtle but catchy. It is heavy, but contrasted by its strange, brief sincerity and tactical use of negative space, it consumes as much as it comforts. The EP closer, “Extraction Console”, is perhaps the most comprehensive of the bunch. As if a morning conversation between birds was industrially-translated, wonky, drunk synths flip over and over between hip hop, electro and club rhythms before the drop D power chords call back. For the sake of full scale club assault, four were asked to remix Piston. TSVI & Luru flip it fully into a slow-burning club tool, underlined by ominous trumpets and straightforward Afro-Caribbean rhythms. Patrick Brian plays up the original’s contrast with an extra emphasis on the angelic chords between the sci-fi assault, and an extra dose of snapping snares. WWWINGS do as they do best, and frame “Piston” as a haunted, gothic dub. ETEVLEH then meticulously deconstructs it, only to rebuild it into a chaotically beautiful battle of strings, steel drums and grime, as if it were the theme from a metaphysically-fucked anime. Release Date: April 29th Tracklist: 1. Air Grid 2. Proximity Mine 3. Piston 4. Extraction Console 5. Piston (Tsvi & Luru Remix) 6. Piston (Patrick Brian Remix) 7. Piston (WWWINGS RMMMX) 8. Piston (ETEVLEH Remix) Written & produced by Alfred English. Mastered by Cyrcular Mastering. Artwork by Alfred English.

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12. Ziúr - Lilith Ft. RIN (Air Max '97 Remix)

Ziúr - Lilith Ft. RIN (Air Max '97 Remix)

@ziurziurziur @airmax97 @do-the-astral-plane

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14. Ziúr - Fever (Born In Flamez Remix)

Ziúr - Fever (Born In Flamez Remix)

@ziurziurziur @born-in-flamez Berlin producer Ziúr recently caught our attention with an insanely sick Peaches remix. Now the multi-disciplinary act has an EP that will be released on the amazing Infinite Machine label. Now you can listen to an exclusive Born In Flamez remix of the track “Fever”. The track is an exercise in deconstructed club music—not from the textbook, but way further out. It starts rather sparse and disintegrates into a fractal club jam over the course of its 4 minute runtime. The Taiga EP will be out on July 1

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15. IM031 - Korma - ZGMF-X19A

IM031 -  Korma - ZGMF-X19A

@korma-seattle Sonic Router Premiere: Orloj (Liar Optimix): XLR8R Download: "Dismantle" - Insert Premiere: Korma - Orloj ( Tomás Urquieta Remix): Clash Premiere: Korma - ZGMF-X19A: The Astral Plane Exclusive Download: Dismantle (Spurz Remix): Seattle’s Tommy Mertens, aka Korma, is part of a new disjointed faction of North-American producers - Portland’s SPF666 and Vancouver’s Spurz come to mind -, that, given the barren landscape of EDM, rock, and chill-something that still dominates the American continent, are uniquely motivated to look to European developments for inspiration. Developments which are processed from a distance, en masse, in relative isolation from their birthplace, and through a fitting laid-back lens… resulting in club/grime hybridization which is entirely divorced from a UK dialogue, and more internationally-viable for it. As such, Korma is a bit of well-kept secret in his own town - which, however, hasn’t stopped him from gigging with the likes of Mike G, Total Freedom, Addison Groove, DJ Paypal and DJ Earl, releasing prescient peace edits on Hush Hush Records, releasing two EPs worth of devastating grime-laden club tools on Car Crash Set, and securing forthcomings releases on Team Aerogel and, most saliently, Infinite Machine. IM031, or the “ZGMF-X19A” EP, is titled as such after a Mobile Suit Gundam of the same name – also known as the “Infinite Justice Gundam”… which befits both us and the music. Indeed, Mertens achieved most of its mecha aesthetic through inspired sampling and deft arrangement of decrypted triple-A game soundbanks – allowing him to be sonically engrossing without the usual trade-off in space. The result is a collection of elegantly restrained and steady grime tools, interspersed with completely unexpected, yet welcome bouts of melodic euphoria. This trait is best evidenced in opening tracks “Pariah” and “Orloj”, both of which seem to exist at the intersection of a less bombastic Murlo or Dark0, a plainly happier Loom or Fatima Al Qadiri, or a more earnest PC Music. It’s been a good two decades since sylphid saccharine bliss of such magnitude or sincerity was last visited upon us – and the contrast between the cryonic production aesthetic and the warmth & fuzz engendered in the listener is cognitively delicious. “Dismantle” prolongs the euphoria for the duration of its intro before exploding into a functionalist slog through SFX riddims. The title track subsequently abandons all tonality in favor of a gut-churning barrage of detuning subkicks and an incessant “Warning!” transmission. Lastly, Korma enlists Poor Sport for grime ballad “Soft Answer”, getting romantic with square waves and gunshot samples. On flip duty, Tomas Urquieta, quite enamored with the source material, simply gives “Orloj” a tighter edit, while Spurz (whose remix of “Dismantle” is due as separate DLC) opts for an all-inclusive club primer. Liar’s Optimix™ of “Orloj” sees him revisiting his “Cybertime” sound palette for a dramatic and ever-changing xenogrime romp – more proprietary composition than remix, it’s meant as pummeling, esoteric ode to the sentiment of the original. Release Date: May 11th, 2015 Format: DIgital Tracklist: 1. Pariah 2. Orloj 3. Orloj (Liar Optimix) 4. Dismantle 5. ZGMF-X19A 6. Soft Answer feat. Poor Sport 7. Orloj (Tomas Urquieta Remix) Written & produced by Korma. Mastered by Liar. Artwork by Geert Wijns.

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@wwwings The FADER Premiere:

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17. IM022 - Beaka - Beaka EP (12"/Digital Out Now!!)

IM022 - Beaka - Beaka EP (12 // FIRST LISTEN // Head over to XLR8R to download an exclusive track called "Entry Unknown" by Beaka in support of his debut EP coming out Feb 3rd on 12"/Digital. UK’s Oli Brand, aka Beaka, does not pull any punches for his Infinite Machine debut. With 4 trax of ruffhouse antics, the self-titled “Beaka” EP is an exercise in coaxing out the multilateral efficacy of UK bass. “InDisguise” is subversive 4/4 tech-house banger, functional as both set highlight and/or DJ tool, “slow-burning” with urgency via its driving vocal snippet and slithering slabs of acidic bass, before briefly and cunningly exploding into strobing laser madness, only to quickly wrangle us back into the main groove. “Killjoy” is dubstep-in-beat-only, in the vein of trax by fellow bass luminaries Paleman or Objekt. It features restless percussion skittering around a neck-snapping halftime beat, with grimy square subs billowing from underneath. Dubby chords washes evoke a grey cityscape, while an 808 lead melody raises the contrast and lowers the gamma on that mental picture, resulting in the darkest offering on the release. “Subconscious” and “Timelapse”, on the other hand, while employing similar production mechanics as the previous two trax, go the stop-start garage route, bringing in vocals to convey a different outlook for the monochrome urban aesthetic – a celestial and hopeful one. Beaka’s output is one that is comfortable both in club and in home-listening scenarios, and IM is pround to present a release which so deftly showcases his versatility. Format: 12"/Digital Release Date: February 3rd Artwork: Borealis Mastered by: UK Mastering Tracklist: 1.- InDisguise 2.- Killjoy 3.- Subconscious 4.- Timelapse

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18. First Listen: Santa Muerte & WWWINGS - 'Void' (Infinite Machine)

  • Published: 2016-12-08T16:52:35Z
  • By Hyponik
First Listen: Santa Muerte & WWWINGS - 'Void' (Infinite Machine)

Claustrophobic club experiments from and Santa Muerte's 'Cicatriz' EP is out December 16 on Pre-order here:

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19. IMSL20 - Wallwork & Rzr - Mad Techno Invasion EP (Out Now!)

IMSL20 - Wallwork & Rzr - Mad Techno Invasion EP (Out Now!) Head over to XLR8R to download the title track "Mad Techno Invasion: Resident Advisor review: Hackney Wick, London duo Wallwork & RZR (comprised of Tommaso Wallwork and Ady Razor), having cut their teeth as ghost producers for some of the UK's finest for years, are down to leave the ether and substantiate as a powerhouse club act of their own, courtesy of their impeccably-produced Infinite Machine debut, “Mad Techno Invasion". Breaking the ice with fiery number “The 361”, W&R promptly display their prowess as sleeper cell veterans. Driven by sparse, overdriven, sluggish 808 kicks, a slo-mo title chant, and unrelenting, crisp upbeat claps, the track is an exercise in elegantly reductionist rave, interspersed with wistful junglist harmony and abundant varispeed vox hype. Second track “Massive Reactor, built on an elektro backbone, toys with liquid, jazzy inflections, but mostly exists in a realm of explosive industrial beats and subversive kick patterns that entail a gut-wrenchingly suspenseful and suspended feel. Masterful sound design pervades. “Mad Techno Invasion” juggles staggeringly lush UKG passages with metallic, unhinged techno that sometimes slows down into half-step grooves, seemingly channeling oldschool dubstep alumni. “Tonatiuh Dance”, the most punishing of the five, is a syncopated beast that once again imbues the listener with that suspended sensation – drops from the get-go and never looks back. Constant tension, but calibrated as such that it is always almost too much, but never too much, and most certainly never too little. The track is self-referential in that it segues into sounds of labored breathing, medical machinery, and wild animals towards its finale. Closer “Keep Going” is a thoroughly explosive rave hardcore finale, reliant on pirate radio mainstays such as BPM-repurposed jungle breaks, tempestuous reese bass, hoover histrionics, and earworm diva vox frantically repeating that the listener should “keep going”. On an EP chock-full of rinse-worthy material, that is advice to be taken to heart. Be kind, reeewiiiind… Release Date: July 14th Tracklist: 1. The 361 2. Massive Reactor 3. Mad Techno Invasion 4. Tonatiuh Dance 5. Keep Going

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