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1. Aria (soprano, alto) So ist mein Jesus nun gefangen – Laßt ihn - Sind Blitze, sind Donner (Chorale)

Aria (soprano, alto) So ist mein Jesus nun gefangen – Laßt ihn - Sind Blitze, sind Donner (Chorale)

JS Bach, St Matthew Passion, Recorded live at Uppsala Cathedral April 3, 2011. Soloists Eva Ericson Berglund, sopran Anna Zander, alt Stefan Parkman, tenor, evangelist Nils Högman, tenor Johnerik Eleby, bas Sten Möller Jesper Rydén Helena Hansson Gustav Eriksson Johannes Jonsson Rachel Stenback Pernilla Bäckström Sigurður Hafþórsson Jonathan Long Johanna Blanck Collegium Cantorum Uppsala Domkyrkokör Stefanoskören Uppsala domkyrkas goss- och flickkör Rätta Takter 
Svenska Barockorkestern Conductor: Olle Johansson Recording engineer: Anders Dillmar

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2. J S Bach - St Matthew Passion

J S Bach - St Matthew Passion

JS Bach, St Matthew Passion, Recorded live at Uppsala Cathedral, April 3, 2011. Soloists Eva Ericson Berglund, sopran Anna Zander, alt Stefan Parkman, tenor, evangelist Nils Högman, tenor Johnerik Eleby, bas Sten Möller Jesper Rydén Helena Hansson Gustav Eriksson Johannes Jonsson Rachel Stenback Pernilla Bäckström Sigurður Hafþórsson Jonathan Long Johanna Blanck Collegium Cantorum Uppsala Domkyrkokör Stefanoskören Uppsala domkyrkas goss- och flickkör Rätta Takter 
Svenska Barockorkestern Conductor: Olle Johansson Recording engineer: Anders Dillmar

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3. J S Bach Mass in B Minor

J S Bach Mass in B Minor

J S Bach Mass in B Minor live recording at Uppsala Cathedral, November 6, 2010. Eva Ericsson Berglund, Soprano Anna Zander, Alto Love Bergman, Tenor Daniel Åberg, Bass Collegium Cantorum Rebaroque Conductor: Olle Johansson

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5. 5 Vidi Calumnias Et Lacrymas

5 Vidi Calumnias Et Lacrymas

Live recording 2015-08-29 Ulric Andersson, Conductor

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6. Lidholm De Profundis

Lidholm De Profundis

De Profundis - Ingvar Lidholm Responsorier for mixed choir, solo tenor, churchbells and 2 organs - Bengt Hambraeus Live recording Uppsala Cathedral November 11, 2001 Collegium Cantorum Conductor: Lars Angerdal

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7. Fight the force of hate - Almost Dead Men

Fight the force of hate - Almost Dead Men

The World is changing Day by day Darkness is rising Wont go away You never know when they come for you There is one thing you need to do Chorus: Fight, Fight the force of hate Fight, Fight still it’s not too late! The Men Are Marching The Men of hate The Flags are flying No time to wait You never know when they come for you There is one thing you need to do Its time to think now Its time to see We need to move now Both you and me You never know when they come for you There is one thing you need to do

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8. Bach Christmas Oratorio

Bach Christmas Oratorio

Bach Christmas Oratorio Live Uppsala Cathedral 2013-12-01

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9. Bandy Ball Eaters Live Gottsunda 1978

Bandy Ball Eaters Live Gottsunda 1978

Legendary punk band Bandy Ball Eaters Live at Gottsunda Theatre Uppsala 1978

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10. Händel - The Messiah

Händel - The Messiah

Recorded live in Uppsala Cathedral, March 23, 2013 Susanne Rydén, soprano Tove Nilsson, alto Nils Högman, tenor Ivar Murelius, bass Collegium Cantorum Rebaroque Conductor: Ulric Andersson

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11. J S BACH - Mass in B minor LIVE

J S BACH - Mass in B minor LIVE

BACH Mass in B minor Recorded live Uppsala Cathedral 2014-03-08 Collegium Cantorum Rebaroque Karin Dahlberg, Soprano Helene Randa, Mezzo Niklas Engquist, Tenor Staffan Liljas, Bass Conductor: Ulric Andersson Collegium Cantorum is one of the choirs at Uppsala Cathedral. It was formed 1983 and has a broad repertoire stretching from choral symphonic polyphony to contemporary Nordic composers. In addition to participating in services the choir performs larger sacred works with soloists and orchestra. Through numerous international tours, Collegium Cantorum has become well renowned abroad. Rebaroque in an early music ensemble is a musical ensemble that specializes in performing early music of the European classical tradition from the Baroque era and earlier. It was formed in 1998 and has since established itself as one of Scandinavia’s leading baroque orchestras. The repertoire includes orchestral works, opera and oratorio. The orchestra appears regularly with some of Sweden's foremost choirs. Live recording is hazardous and not without minor disturbances. This recording is no exception. Recording choir music live always balances extreme dynamic range and musical emotion, with technical limitations and difficult environments. You often find the best acoustics in droughty churches with creaky furnishing, ant they always have a clutter of ancient electrical wiring. All this gives buzz, hiss and various kinds of disturbing noises with which make each recording session different. The magic of the performance, which seemed so indelibly imprinted in memory, often vanishes on the tape. The complex of hearing, vision, shared experience, and excitement has been reduced to a single aspect: sound. Therefore, the recording becomes technically a compromise between feel and sound. But a live recording is also uncompromisable. Rustle of music scores, coughs, shoes squeaking, radiators switching off, and cars passing by outside, always happen in the middle of a silent passage. All these ingredients are evidenced and exampled in this recording. Still, we feel that live is always superior to studio recordings. This becomes inevitable if you, as we do, focus on the good qualities in performance and interpretation, and never let merciless technical perfection stand in the way of music. We think that the best performance can only be obtained in the right context and accurate environment, despite technical difficulties. Simply put, recording is not a precise art. But then, neither is a concert.

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12. Erkenne mich, mein Hüter (Chorale)

Erkenne mich, mein Hüter (Chorale)

JS Bach, St Matthew Passion, Recorded live at Uppsala Cathedral April 3, 2011. Soloists Eva Ericson Berglund, sopran Anna Zander, alt Stefan Parkman, tenor, evangelist Nils Högman, tenor Johnerik Eleby, bas Sten Möller Jesper Rydén Helena Hansson Gustav Eriksson Johannes Jonsson Rachel Stenback Pernilla Bäckström Sigurður Hafþórsson Jonathan Long Johanna Blanck Collegium Cantorum Uppsala Domkyrkokör Stefanoskören Uppsala domkyrkas goss- och flickkör Rätta Takter 
Svenska Barockorkestern Conductor: Olle Johansson Recording engineer: Anders Dillmar

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13. Kyrie Eleison

Kyrie Eleison

J S Bach Mass in B Minor live recording at Uppsala Cathedral, November 6, 2010. Eva Ericsson Berglund, Soprano Anna Zander, Alto Love Bergman, Tenor Daniel Åberg, Bass Collegium Cantorum Rebaroque Conductor: Olle Johansson

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14. Kommt, ihr Töchter, helft mir klagen (Chorale)

Kommt, ihr Töchter, helft mir klagen (Chorale)

JS Bach, St Matthew Passion, Recorded live at Uppsala Cathedral April 3, 2011. Soloists Eva Ericson Berglund, sopran Anna Zander, alt Stefan Parkman, tenor, evangelist Nils Högman, tenor Johnerik Eleby, bas Sten Möller Jesper Rydén Helena Hansson Gustav Eriksson Johannes Jonsson Rachel Stenback Pernilla Bäckström Sigurður Hafþórsson Jonathan Long Johanna Blanck Collegium Cantorum Uppsala Domkyrkokör Stefanoskören Uppsala domkyrkas goss- och flickkör Rätta Takter 
Svenska Barockorkestern Conductor: Olle Johansson Recording engineer: Anders Dillmar

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15. 1 Kyrie Eleison

1 Kyrie Eleison

BACH Mass in B minor Recorded live Uppsala Cathedral 2014-03-08 Collegium Cantorum Rebaroque Karin Dahlberg, Soprano Helene Randa, Mezzo Niklas Engquist, Tenor Staffan Liljas, Bass Conductor: Ulric Andersson Collegium Cantorum is one of the choirs at Uppsala Cathedral. It was formed 1983 and has a broad repertoire stretching from choral symphonic polyphony to contemporary Nordic composers. In addition to participating in services the choir performs larger sacred works with soloists and orchestra. Through numerous international tours, Collegium Cantorum has become well renowned abroad. Rebaroque in an early music ensemble is a musical ensemble that specializes in performing early music of the European classical tradition from the Baroque era and earlier. It was formed in 1998 and has since established itself as one of Scandinavia’s leading baroque orchestras. The repertoire includes orchestral works, opera and oratorio. The orchestra appears regularly with some of Sweden's foremost choirs. Live recording is hazardous and not without minor disturbances. This recording is no exception. Recording choir music live always balances extreme dynamic range and musical emotion, with technical limitations and difficult environments. You often find the best acoustics in droughty churches with creaky furnishing, ant they always have a clutter of ancient electrical wiring. All this gives buzz, hiss and various kinds of disturbing noises with which make each recording session different. The magic of the performance, which seemed so indelibly imprinted in memory, often vanishes on the tape. The complex of hearing, vision, shared experience, and excitement has been reduced to a single aspect: sound. Therefore, the recording becomes technically a compromise between feel and sound. But a live recording is also uncompromisable. Rustle of music scores, coughs, shoes squeaking, radiators switching off, and cars passing by outside, always happen in the middle of a silent passage. All these ingredients are evidenced and exampled in this recording. Still, we feel that live is always superior to studio recordings. This becomes inevitable if you, as we do, focus on the good qualities in performance and interpretation, and never let merciless technical perfection stand in the way of music. We think that the best performance can only be obtained in the right context and accurate environment, despite technical difficulties. Simply put, recording is not a precise art. But then, neither is a concert.

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17. När natten skänker frid - Karin Rehnqvist

När natten skänker frid - Karin Rehnqvist

La Cappella, dir Tony Margeta Chalmers Damkör, dir Sofia Johansson Carolinae Damkör, dir Ulrika Emanuelsson Damkören SALT, dir Katarina Hellberg Inspelad Live Missionskyrkan Uppsala 2015-10-17

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18. Jan Wallgren - Requiem For the Living and the Dead

Jan Wallgren - Requiem For the Living and the Dead

Live recording March 2, 1996, at Uppsala Cathedral Music: Jan Wallgren Text: Thomas Tranströmer Pernilla August: Recitation Rolf Lindblom: Piano Margareta Ridderstedt: Soprano Lennart Åberg: Soprano Saxophone Camerata Upsaliae, with brass from Musik i Uppland Collegium Cantorum Director: Lars Angerdal Jan Wallgren, born February 21, 1935 in Oslo, dead June 2, 1996 in Stockholm. He devoted himself for many years mainly to jazz and toured with his own trio as well as playing in several different jazz orchestras, and his piano playing and compositions marked the quartet that Bengt Ernryd led during the middle of the 60s. Jan has appeared as a soloist and composer with among others the Swedish Radio Jazz Group and the Polish Radios Big band, andhe is documented both on LP and CD. Aside from working as a piano soloist, orchestra leader, and theatre musician, Jan taught singers and musicians, classically trained pianists, and music students. He wrote theatre and film music, and composed an opera, "Balagantjik," that was premiered at the Royal Swedish Opera in 1986. Among several important compositions, his Requiem, "För levande och döda" (For Living and Dead), set to texts by the poet Tomas Tranströmer, stands out.

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19. Messiah 22 - 03 - 1998 Part 1

Messiah 22 - 03 - 1998 Part 1

Händel Messiah recorded live at Uppsala Cathedral March 22, 1998

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