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1. Aria (soprano, alto) So ist mein Jesus nun gefangen – Laßt ihn - Sind Blitze, sind Donner (Chorale)

Aria (soprano, alto) So ist mein Jesus nun gefangen – Laßt ihn - Sind Blitze, sind Donner (Chorale)

JS Bach, St Matthew Passion, Recorded live at Uppsala Cathedral April 3, 2011. Soloists Eva Ericson Berglund, sopran Anna Zander, alt Stefan Parkman, tenor, evangelist Nils Högman, tenor Johnerik Eleby, bas Sten Möller Jesper Rydén Helena Hansson Gustav Eriksson Johannes Jonsson Rachel Stenback Pernilla Bäckström Sigurður Hafþórsson Jonathan Long Johanna Blanck Collegium Cantorum Uppsala Domkyrkokör Stefanoskören Uppsala domkyrkas goss- och flickkör Rätta Takter 
Svenska Barockorkestern Conductor: Olle Johansson Recording engineer: Anders Dillmar

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2. J S Bach - St Matthew Passion

J S Bach - St Matthew Passion

JS Bach, St Matthew Passion, Recorded live at Uppsala Cathedral, April 3, 2011. Soloists Eva Ericson Berglund, sopran Anna Zander, alt Stefan Parkman, tenor, evangelist Nils Högman, tenor Johnerik Eleby, bas Sten Möller Jesper Rydén Helena Hansson Gustav Eriksson Johannes Jonsson Rachel Stenback Pernilla Bäckström Sigurður Hafþórsson Jonathan Long Johanna Blanck Collegium Cantorum Uppsala Domkyrkokör Stefanoskören Uppsala domkyrkas goss- och flickkör Rätta Takter 
Svenska Barockorkestern Conductor: Olle Johansson Recording engineer: Anders Dillmar

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3. J S Bach Mass in B Minor

J S Bach Mass in B Minor

J S Bach Mass in B Minor live recording at Uppsala Cathedral, November 6, 2010. Eva Ericsson Berglund, Soprano Anna Zander, Alto Love Bergman, Tenor Daniel Åberg, Bass Collegium Cantorum Rebaroque Conductor: Olle Johansson

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5. Händel - The Messiah

Händel - The Messiah

Recorded live in Uppsala Cathedral, March 23, 2013 Susanne Rydén, soprano Tove Nilsson, alto Nils Högman, tenor Ivar Murelius, bass Collegium Cantorum Rebaroque Conductor: Ulric Andersson

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6. Bach Christmas Oratorio

Bach Christmas Oratorio

Bach Christmas Oratorio Live Uppsala Cathedral 2013-12-01

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7. 5 Vidi Calumnias Et Lacrymas

5 Vidi Calumnias Et Lacrymas

Live recording 2015-08-29 Ulric Andersson, Conductor

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8. Lidholm De Profundis

Lidholm De Profundis

De Profundis - Ingvar Lidholm Responsorier for mixed choir, solo tenor, churchbells and 2 organs - Bengt Hambraeus Live recording Uppsala Cathedral November 11, 2001 Collegium Cantorum Conductor: Lars Angerdal

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9. Bandy Ball Eaters Live Gottsunda 1978

Bandy Ball Eaters Live Gottsunda 1978

Legendary punk band Bandy Ball Eaters Live at Gottsunda Theatre Uppsala 1978

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10. J S BACH - Mass in B minor LIVE

J S BACH - Mass in B minor LIVE

BACH Mass in B minor Recorded live Uppsala Cathedral 2014-03-08 Collegium Cantorum Rebaroque Karin Dahlberg, Soprano Helene Randa, Mezzo Niklas Engquist, Tenor Staffan Liljas, Bass Conductor: Ulric Andersson Collegium Cantorum is one of the choirs at Uppsala Cathedral. It was formed 1983 and has a broad repertoire stretching from choral symphonic polyphony to contemporary Nordic composers. In addition to participating in services the choir performs larger sacred works with soloists and orchestra. Through numerous international tours, Collegium Cantorum has become well renowned abroad. Rebaroque in an early music ensemble is a musical ensemble that specializes in performing early music of the European classical tradition from the Baroque era and earlier. It was formed in 1998 and has since established itself as one of Scandinavia’s leading baroque orchestras. The repertoire includes orchestral works, opera and oratorio. The orchestra appears regularly with some of Sweden's foremost choirs. Live recording is hazardous and not without minor disturbances. This recording is no exception. Recording choir music live always balances extreme dynamic range and musical emotion, with technical limitations and difficult environments. You often find the best acoustics in droughty churches with creaky furnishing, ant they always have a clutter of ancient electrical wiring. All this gives buzz, hiss and various kinds of disturbing noises with which make each recording session different. The magic of the performance, which seemed so indelibly imprinted in memory, often vanishes on the tape. The complex of hearing, vision, shared experience, and excitement has been reduced to a single aspect: sound. Therefore, the recording becomes technically a compromise between feel and sound. But a live recording is also uncompromisable. Rustle of music scores, coughs, shoes squeaking, radiators switching off, and cars passing by outside, always happen in the middle of a silent passage. All these ingredients are evidenced and exampled in this recording. Still, we feel that live is always superior to studio recordings. This becomes inevitable if you, as we do, focus on the good qualities in performance and interpretation, and never let merciless technical perfection stand in the way of music. We think that the best performance can only be obtained in the right context and accurate environment, despite technical difficulties. Simply put, recording is not a precise art. But then, neither is a concert.

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11. La Cappella med vänner - Live

La Cappella med vänner - Live

Inspelad Live 2015-10-17 Missionskyrkan i Uppsala La Cappella, dir Tony Margeta Chalmers Damkör, dir Sofia Johansson Carolinae Damkör, dir Ulrika Emanuelsson Damkören SALT, dir Katarina Hellberg http://www.lacappella.se/

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12. Erkenne mich, mein Hüter (Chorale)

Erkenne mich, mein Hüter (Chorale)

JS Bach, St Matthew Passion, Recorded live at Uppsala Cathedral April 3, 2011. Soloists Eva Ericson Berglund, sopran Anna Zander, alt Stefan Parkman, tenor, evangelist Nils Högman, tenor Johnerik Eleby, bas Sten Möller Jesper Rydén Helena Hansson Gustav Eriksson Johannes Jonsson Rachel Stenback Pernilla Bäckström Sigurður Hafþórsson Jonathan Long Johanna Blanck Collegium Cantorum Uppsala Domkyrkokör Stefanoskören Uppsala domkyrkas goss- och flickkör Rätta Takter 
Svenska Barockorkestern Conductor: Olle Johansson Recording engineer: Anders Dillmar

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13. Messiah 22 - 03 - 1998 Part 1

Messiah 22 - 03 - 1998 Part 1

Händel Messiah recorded live at Uppsala Cathedral March 22, 1998

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14. 1 Kyrie Eleison

1 Kyrie Eleison

BACH Mass in B minor Recorded live Uppsala Cathedral 2014-03-08 Collegium Cantorum Rebaroque Karin Dahlberg, Soprano Helene Randa, Mezzo Niklas Engquist, Tenor Staffan Liljas, Bass Conductor: Ulric Andersson Collegium Cantorum is one of the choirs at Uppsala Cathedral. It was formed 1983 and has a broad repertoire stretching from choral symphonic polyphony to contemporary Nordic composers. In addition to participating in services the choir performs larger sacred works with soloists and orchestra. Through numerous international tours, Collegium Cantorum has become well renowned abroad. Rebaroque in an early music ensemble is a musical ensemble that specializes in performing early music of the European classical tradition from the Baroque era and earlier. It was formed in 1998 and has since established itself as one of Scandinavia’s leading baroque orchestras. The repertoire includes orchestral works, opera and oratorio. The orchestra appears regularly with some of Sweden's foremost choirs. Live recording is hazardous and not without minor disturbances. This recording is no exception. Recording choir music live always balances extreme dynamic range and musical emotion, with technical limitations and difficult environments. You often find the best acoustics in droughty churches with creaky furnishing, ant they always have a clutter of ancient electrical wiring. All this gives buzz, hiss and various kinds of disturbing noises with which make each recording session different. The magic of the performance, which seemed so indelibly imprinted in memory, often vanishes on the tape. The complex of hearing, vision, shared experience, and excitement has been reduced to a single aspect: sound. Therefore, the recording becomes technically a compromise between feel and sound. But a live recording is also uncompromisable. Rustle of music scores, coughs, shoes squeaking, radiators switching off, and cars passing by outside, always happen in the middle of a silent passage. All these ingredients are evidenced and exampled in this recording. Still, we feel that live is always superior to studio recordings. This becomes inevitable if you, as we do, focus on the good qualities in performance and interpretation, and never let merciless technical perfection stand in the way of music. We think that the best performance can only be obtained in the right context and accurate environment, despite technical difficulties. Simply put, recording is not a precise art. But then, neither is a concert.

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15. Defcon 1 - Vi är alla människor

Defcon 1 - Vi är alla människor

Defcon 1 came from Örsundsbro, 20 km outside Uppsala, Sweden. The band was formed in the fall of 2002 and performed until 2006. Gustav Cederlöf song, guitar Oskar Bernövall guitar Henrik Lindberg bass, song Johann Bernövall drums In 2005, the band was voted the best in Uppland for musicians under 19 years in MusikDirekt - Sweden's largest music competition - and participated in the National Riksfestival in Östersund. Defcon 1 played at a number of festivals, such as Roc for Moc (2003) and Örsa Festival (2005). http://defcon1.pambu.com/

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18. Händel The Messiah - Choral Excerpts

Händel The Messiah - Choral Excerpts

Live recording Uppsala Cathedral March 2, 2000 Collegium Cantorum Svenska Barockorkestern Conductor: Lars Angerdal SMIC CD001

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19. Enora Live 2009-07-27

Enora Live 2009-07-27

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