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1. Just Another Dream

Just Another Dream

Brand new and unreleased song titled "Just Another Dream" from the upcoming Stick Figure album which is expected to drop this Spring. http://www.stickfiguremusic.com https://www.facebook.com/stickfiguremusic http://www.twitter.com/StickFigureDub http://www.soundcloud.com/stickfigure https://www.instagram.com/stickfiguremusic

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2. Just Another Dream

Just Another Dream

Buy it on iTunes here: http://goo.gl/HEHfqe http://www.stickfiguremusic.com https://www.facebook.com/stickfiguremusic http://www.twitter.com/StickFigureDub http://www.soundcloud.com/stickfigure https://www.instagram.com/stickfiguremusic

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6. Lumbayao - Just Another Dream Acoustic (Stick Figure Cover)

Lumbayao - Just Another Dream Acoustic (Stick Figure Cover)

it started in Gumamela studios and ended in Jay's shindig room Mixed by Mark G and Rab F

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13. Floex - Gone Feat. Never Sol

  • Published: 2013-08-07T06:51:19Z
  • By Denovali
Floex - Gone Feat. Never Sol

from 'Gone' [10''|DIGITAL] Denovali Records · den174 available on all formats at [http://denovali.com/floex] On Veronika Vlková's painting for Floex' new EP “Gone”, the mountain ghosts are watching the flood from the mountain tops which stick out of water. In his latest work Floex is trying to express the melancholic mood of the last days of stability and harmony. While “Gone” thematizes instability expressed by the Apocalypse in a “macroscopic sense”, and musically for Tomáš in the quite traditional way of vocal pieces, the other two short ambient tracks accompanying the title song reflect the theme in different ways. “Saturnin Fire And The Restless Ocean” creates a kind of “microscopic world” counterpart to “Gone”. It was inspired by the thoughts on inner harmony by Tomáš' Chinese medicine doctor friend: when mind and heart are in balance, the heart is like shining fire and the mind is like a calm and still ocean. If things are getting unstable, the heart's fire is becoming volatile and the mind's ocean's waves start to swell. While “Saturnin …” is a very intimate song on this self-reflection of the personal psychic landscape, it easily becomes a strong epic hymn in the hands of Joe Acheson of Hidden Orchestra. With this, Joe is returning the remix favour on Hidden Orchestra's earlier Denovali Records release “Flight”, which included Floex' “Dust Remix”. It is great to listen to another offspring of the continuing dialogue between these musical mates. There are more things that all songs of this release have in common - the typical sound of Floex' Petrof piano. It endorses the melancholic and ethereal mood of the EP songs, and the final four-hand piano piece “Time To Go” makes no exception. It includes field recordings grasping the theatrical “farewell” scene from a sound installation at the Brixen Fortress during the Manifesta festival. This song was originally created from the four-hand composition of Tomáš and his pianist friend Jirí Libánský, who met during their improvisation project “Orlak”. The title song “Gone” was especially composed for the Floex live vocalist Sára Vondrášková of Never Sol and meant to be performed on concerts, and it indeed soon become the pivotal song of Floex' playlist. The lyrics were written by Tomáš' long term collaborator Anya Stuart who besides being a singer, writer and musician works also as a movie director. When she heard the song she immediately offered Tomáš to make a video clip for it. Currently living in Paris, it no surprise that the main inspiration source for the video was the medieval French 'Apocalypse Tapestry' in Angers nearby Paris. Working with her photographer friend Michal Ureš behind the camera, they created free contemporary reinterpretations of selected scenes of the tapestry based on super slow motion shootings. This perfectly exemplifies the idea behind the song, a very odd moment in our life we don't recognise since it is happening very slowly from our personal point of view but very fast from the point of view of mankind. People are still behaving as if nothing would happen or change, but the fire is already behind their doors, the old times have already gone. “Gone” is closing a certain period of Floex' production which started with his 2nd full length album “Zorya” in 2011. After getting such a great feedback on this release, Tomáš decided to get back to it, pick up his favorite track “Veronika's Dream” and give it a little bit more attention. The result of this effort you can find as a downloadable bonus track accompanying this EP: a remix of “Veronika's Dream” by Dikolson, Tomáš favourite producer, and general iconic figure of the electronic music scene in Prague. Moreover, after about a year of preparation, a video clip for the original song was made. About 20 people, headed by director Tomáš Hájek, visual artist Anna Krticová and Veronika Vlková herself created rather a short movie inspired by Tomáš Dvorák's crazy surrealistic imaginary: the one-eyed Veronika is eaten by a wolf and inside of his stomach a floorball match is happening. She fights against her psychological antipode for her missing eye and wins just to uncover deeper sides of her existence. The 10'' comes in a special thick gatefold sleeve, on two different vinyl colors and with a free download code. For fans of HIDDEN ORCHESTRA, ERIK SATIE, JON HOPKINS or BAT FOR LASHES.

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14. Dream On (Prod. By Jaylen!)

  • Published: 2014-01-02T17:58:26Z
  • By Zheep
Dream On (Prod. By Jaylen!)

Video Link: https://www.youtube.com/watch?v=m7nr5RSuG-o&feature=youtu.be Something like a bonus.... Just a free cut for y'all to enjoy. Prod. by @JayPreme 'Refugee' Album 01.14.14 Let me Strike the match & let this be a trip we can never forget. Or that gift that you never could get. better yet The slick chic I never could hit. A tease. A breeze. You needed to breathe. Every track sounding like the Last i got. Without talking bout the cash i got. & Put an end to all the fake basquiats, Drawing stick figures. From a lil nigga on big wheeler, Now I'm lil bigger. Than the ones that I looked up as the big figure, Now I'm the Big Dipper. See me from a far, Wish upon a star. You always gon be who you are. Skinny nigga in a muscle car. Lights off.. So I Dream on.. Take a loss or get lost. Be the boss or get bossed. Win, lose or draw. At the end of day its the fight I fought, That matters. Just to get to the cake Imma keep mixing up this batter. I'm good, badder than badder. Another hit from the batter.

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15. SAM BOTTA ASKS DAVID FLORIA: WHY ASPEN? (DAVID FLORIA, CURATOR OF THE ASPEN ART MUSEUM)

  • Published: 2014-01-20T23:58:52Z
  • By Sam Botta
SAM BOTTA ASKS DAVID FLORIA: WHY ASPEN? (DAVID FLORIA, CURATOR OF THE ASPEN ART MUSEUM)

Now David Floria is the most sought after expert in the U S when purchasing art pieces in the $1 million or more range. Recommended reading today: Victor has written a 25-page masterpiece. Lots of open space exists on each page, so you can complete the reading in 25 minutes. Stop putting it off. Get the book right now. Find it here: https://www.e-junkie.com/ecom/gb.php?ii=1068424&c=ib&aff=251020&cl=205384 If you cannot afford the price of this book, it's time to give it up and settle for continuing in the protection of the mundane. Give up self-imposed limitations: http://wp.me/p3P5mL-b Find David Floria: Forr and Floria: A merger of galleries and aesthetics in Aspen | AspenTimes.com: http://www.aspentimes.com/article/20120803/AE/120809963 STOP APOLOGIZING for yourself. Take it from someone that was severely shy, morbidly obese and a virgin for the majority of this life. We put your comments into a simple word counting app, and found that you apologized no less than three times. Of course the culture creation industry has embedded the ‘men should apologize’ mandate into everything popular for decades. MOST men in the world (on average) have your same height. This ’ ’ ″‘ you mention only matters on popular online dating sites. They have membership of > % women. And remember, there are a lot of men here that are contacted by agencies women pay thousands of dollars to – men pay $ – so they can meet THE man. Are the men all > ′? Nope. You’re a nice guy, that’s a constant. No matter how much you change, you still have the will inside that keeps you the good person you are. Are you still ‘you’ even though you learned to tie your shoes? It’s not natural for you to know how to tie your shoes. But if you spent your life with shoelaces flopping around, people would often be bothered. Should I wear my old jeans (size U S) since that would be the ‘me’ I was? Or, is it better that I wear the size jeans that fit now? Practicing concepts you’ve learned in Rollo’s book doesn’t change the person you are… it brings you closer to your purpose on earth at this time. Your morals are not going to decline. You wrote “You might think I’m” … STOP THAT. Remember the words of Tim Ferriss: “F*ck ‘em. There are no statues erected to critics.” Stop assuming people are thinking this or that. That’s like walking into a room hearing voices thinking people are making fun of only you like in this scene from ‘Man of Steel’ http://www.youtube.com/watch?v=aNq F wBC k See the description to find how you are NOT genetically predisposed to this ‘beta’ you think you’re trapped in. Be confident and sure of what you say. If you’re wrong, it’s ok. If there are haters, I’ve had plenty, it’s a compliment. Practice confident body language when you walk into a room and when you’re typing comments here. It works. You wrote, “she suggested I was a narcissist” yet she is married to an “itinerant musician, who smokes joints all day and lives off her savings!” Exclamation point Muttley! She has convinced you of how “terrible” life is. That’s hilarious because she CHOOSES to stay in that marriage! Muttley it’s sooooo terrible with her sexy, aloof, fun, exotic, mysterious, husband with a delicious international accent (and she can’t resist that he’s an artist) husband that has an addiction she’s sure she can FIX. She enjoys him and the drama of it… and she’s convinced you otherwise. She’s NOT your friend. Stop being the best listener and shoulder to cry on in the world. TIME is the most valuable gift you’ve been given, and the time invested in this ‘beautiful’ woman – let it go. Stop ‘cold turkey’ NOW. Invest TIME in YOU so that soon you’ll not be the ‘friend’ of the future “beautiful” woman you attract, you’ll be the one she wants. Millions of men have read this post, and you’re one of the small percentage that doesn’t assume he already knows the stuff in Rollo’s book (less than $ U S). That alone puts you in a better place than the ones you seem to be apologizing to here. I do not understand how anyone could come to this blog and deprive himself of Rollo Tomassi “The Rational Male” book. Now that you’ve taken the step millions of men reading this post haven’t, remember Richard Branson. He said, “The best way of learning about anything is by doing.” Do it. never married late twenties and early s women could start to panic, and this panic could spread to younger women The Culture Creation Industry has remained hidden, yet its work operates in a collective ‘spared no expense’ way. It doesn’t matter what it cost, money is no object. It will roll out technology, mind-blowing talent and concepts that are so wonderfully advanced, mass panic will be delayed. In the ‘Jenny Erikson’ narrative, you see the new definition of marriage. She loves him, marries him (a few more steps here) then writes about how he’s a bad man. She’s a christian, people change, God forgives and that’s that. She refers to A-List celebrities and top music performers. She explains that their words and songs back up her feelings. It’s all about feelings and experiences after all. The panic is diffused in creating tribes of others that have ‘been through’ the same plight. There will be no shortage of attention given so that the panic will not feel like panic. The Culture Creation Industry will continue to pump out the illusions and fantasies that give just enough hope. From “The Hunger Games” “President Snow: Hope. It is the only thing stronger than fear. A little hope is effective. A lot of hope is dangerous. Spark is fine, as long as it’s contained.” Culture Creation Industry has given Jenny Erikson a career. She delivers such hope in today’s The Stir ‘So Ben Affleck is just about the sweetest husband ever. 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16. ✞

✞

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ §5OO!Iı☞ ᴆ ᴀ ᴙ ᴋ`↯ z͡ ᴇ ɴ † ᴈ ᴚ | #500;) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ✞ ✞ TRACKLIST. . . ... ✞ ✞ 6 , Earth Stern Prone Sister Raven ✞ ± ;) ✞ I Wish Falling Villains Call me No Title Burning A Voice Together The Dive Miseryv4 Far away You´re so Be careful Breathless September Dead Stars No Regrets Spiff - Phon Dear Friend It is time v0 First Breath A Dark Star So beautiful Not invisible System Fail Silent World Hello friends Another Sky Endless Sky U The Only 1 Try To Forget Stolzes Herz Happy in Ads Sweet (demo) 01-cold winds Red Goddess Never too late In Between Us I have a secret 05 Walk Away Poison Deluxe Gothtune mix4 Sick Of Me V.5 The Fallen Star Hollow Dreams Reptyle - Suffer Cool For Chaos Line of borderv0 Muse - Uprising Production Line Burn - The Cure Whisper Louder How does it feel Halloween 2012 Building bridges TV Confused V2 Curse My Name Knochenpolkav3 Handsome Killer Odradek - Glück Around in circles Nella mente - 53° La Le Lu (Demo) Miazma - Lorelei HALF´SLEEPER I AM NOT SORRY Odradek - Prolog Live in an illusion Grey season rain... Broken promises Blouse-Into Black Please don´t stop Dance if you want Leave this placev1 I am Dead (demo) Blood In The River Kremlyn - Rutinas KAO4S - 80 MPH Eyes of a stranger The Witch (Remix) Dark Door . Ombre I hate myself(2008) Halloween - Ghetto After Dusk - Insight BloodlitSession Nr.9 i am afraid of me v8 BloodlitSession Nr.8 BloodlitSession Nr.6 Sex Beat - Sex Beat Polvere - Dark Door You are what I want What ever you want Ripetutamente - 53° Ordinarylovesongv2 The Wake - Rusted Schadstoff - Picture Antilav - Not A Goth Goth Mix April 2012 Covenant - The Men Subterfuge - Curses My best friend(2014) 01LittleDrummerBoy Substanz - Doctor X Legion - VNV Nation Miazma - Soft Touch Phantom Leaf - Dust Beati Mortui - Winter After Dusk - Midnight Reptyle - Honest Liar Odradek - Vermutung Wieże Fabryk - Front THIS IS POSTPUNK Bardo Thödol - Marsh Danza Morta - Il Nulla Deafear - The Waiting Still Patient? - Impact UNTOTEN - Das Lied Die for YOUR love V4 La Santé - Ja chmura Sick Fairytale (demo) God is not here Ver. 2 Touchphone(remix14) Hearts Fail - Make Up Stray - Remember Me Merry Dark Christmas thirteen13 - June 2014 More than just a friend Sombras Electrónicas Cantara (bonusTrack) Reptyle - Morning Heir Misery - Cut.Rate.Box Odradek - Entdeckung Far away (WinteRemix) Ruble Gang - Bombers She Past Away - Sanri Dropbears - Fun Loving Yabanci - Vision (2014) 01 - A New Dawn (Live) Shiny Darkly - Bury Us Engrave My Happiness TheFLATFIELD - Shore Razor Penguins - Paris D For Desire - Like You Sisters of Mercy - Alice de/vision Call My Name I don´t know your name Reptyle - Just Like You Godfall (Scissor Remix) TheFLATFIELD - Praise Chrom - The Worst Day Odradek - Erläuterung II Altersyberian - Co dalej? I Love And I Kill-demo12 TRIPTYKON - Breathing Under A Bright Red Star Lost Cherrees - No Way TheFLATFIELD - Eternal Wild Flower (Guitar Dub) fauxmusica - "tight t-shrt" Calva Y Nada "Die Reise" I wish that you were here TheFLATFIELD - Silence Línea Vienesa - Honolulu Splendor - Celluloid Dolls Salvation Amp - Iceflower Eternalovers - My silence Christian Death - Spectre Reactive Black - Wasting Exit Märchenland (bionik) The Moments We Shared Dead Hand Projekt - Safe dreDDup - Non-negotiable The Tears of Blood - Spirit Silhouette's On Stairways Miazma - I Want To Know Shiny Darkly - Dead Stars Reptyle - The Age Of Love Angels Of Liberty - Sophia Black Glass - Rain Theme A long time (Robotic remix) Transport - Body Buildings Reptyle - Bought Me A Lie DIAKOVA - LIKE A CHILD Hatestory - Monumentalny Transport - Body Buildings BodyFarm - Zeit Der Wölfe Thee Flanders - Man's Law After Dusk - Under Dismay theFLATFIELD - The Witch 2013 'New Depeche Order' TheFLATFIELD - New Time mrokomotiv - Ciemne niebo 17-the 69 eyes-brandon lee Idiom Flesh - Some People Ikon - Azkadelia (Version II) Brotherhood - Sleepwalking Ultime Possibilitè - Errance 11 Letters From The Arbiter An Angel Among The Stars Sea of Love (Demo Version) Guided by the Hand of Cain After Dusk - The Bitter Love SOKO Friedhof - Der Clown :): Xmal Deutschland-Polarlicht Earth (Oh my Gothic version) Blue Butterfly - Fallen Angel Thank you for understanding Birthday - The Crüxshadows The Blumes - White Shades Angel Heart (Album Version) Odradek - Erläuterung I (live) monoLight - Severed Heaven Come With Reverse - Decay 02. Pecadores - Exu Caveira Human Computer Interaction SKVM - As Above So Below Crystal Castles - Suffocation Aeon Sable - Praying Mantis Moon Mirror - BLACK WOLF Lost Desert - Etrange Satyre Pop Negatif Wastad - Valium Tainted Love (Ft. Zanye East) Can´t get you out of my mind fauxmusica - "for go, shadow" Reptyle - Under The Hammer TIMETRICK "Bitch From Hell" 09 A Rock And A Hard Place Silent Scream – Man On Fire After Dusk - Raise Your Eyes TheFLATFIELD - Passionless Reptyle - Night And The River The Stompcrash - Follow You Nacht und Nebel - Szelescisz After Dusk - End Of Our Days Jacquy Bitch-The Misery.mp3 Plant Life (feat. Cane Sugar) SHIV-R - Taste (Reaper RMX) Murnau's Playhouse - Myopia Acylum - Freeze (Shiv-remix) Anders Manga "Venus in Furs" Reptyle - Where I Come From That Fatal Error - Dark Waters Happy House (Ft. Zanye East) Macabre Promo - Gothic Rock Evil Hides Among The Flowers Desillusionierende Sinnstiftung Where is the sun(WinteRemix) Merciful Nuns - The Maelstrom Psychoformalina - Umieram 2x Shiv-r - Parasite (Reposession) Relatives Menschsein "Glaube" Shock In My Town - Dark Door The Stick Figures - September Within These Walls - Dominion Christian Death - The Drowning Dream Cycle (Ft. A V G V S T) Reptyle - What's In A Moment? Hyoscyamus Niger - Juz blisko Trümmerwelten - Fuck my Pain Dance if you want(WinteRemix) The House Of Usher "Witchcult" Anders Manga 'Solitary Heaven' Untoten "Koenig Aller Suenden" Odradek - Zeichensetzung (live) 06 - Der Rabe - Charlize Zodiac Coco Carbomb - 100% Fairyfux Opéra De Nuit - Lumiére Rouge After Dusk - Take Me Far Away Voyvoda - The garden of Beinsa After Dusk - Ghouls In Disguise Moravagine - Confusing Outside Around in circles(Heavy version) Relatives Menschsein "Passion" Murnau's Playhouse - Showreel TrümmerWelten - Dieses Leben Nosferatu- Inside The Devil.MP3 Black Canvas - Lady from above Freakangel - Its Not A Lovesong Trümmerwelten - Your Are Dead Reptyle - Ghosts And Machines After Dusk - The Seas Of Infinity Charles Bernstein - Run, Nancy! Miazma - Dancing On My Grave Ghost Whispers Setlist By Sarx The Eternal Fall - The Alchemist Beyond the Eyes of Men - Icons Merciful Nuns - Morphine Queen Tetragrammaton (Ft. R▲dio Vril) snowinginmyheart (prod. debars) Liv Kristine - You take me higher Murnau's Playhouse - Someday Isis Melting (Ft. ThePeachTree) Shiny Darkly - It Must Be Ahead Ich Liebe Uns Nicht (Demo´08) Shadow from the past (07-2013) Hessen Ganz Gross - Antworten Beyond The Eyes Of Men - Tower Autumn Twilight - Dreamessence BLS - All Black Covered In Blood I dreamt I was dead - demo1984 Scrying (Ft. CRUNCHERZ 3 Min) And One - Military Fashion Show Angels of Liberty - Monster In Me Gentle Zombies - School of death Gothrock Mix 1 (By Yamispechie) Phoenix - the cassandra complex Amon Amarth "Father of the Wolf" Relatives Menschsein "Der Clown" The Nightchild - Through the Night In My Dreams - T3RR0R 3RR0R2 Yabanci - Solve Et Coagula (2014) 03.Addict (LarsHausmann Remix) Miazma - Sing (Remastered 2014) She's Dangerous - Clan Of Xymox Beyond the Eyes of Men - Victoria Angels of Liberty - Black Madonna After Dusk - Revelations Of Rebirth SHIV-R - Hollow Mask (Unmasked) Death - Pull The Plug (Remastered) Angels of Liberty - Our Tears (2014) Relatives Menschsein "Ausgeblutet" 少女人形 (Kyoujin) - Shoujo Jigoku Princess Of Blood - Trümmerwelten CVLT Nation Deathrock 2014 Part 1 After Dusk - Strange Aeons's Signs Drinking Electricity - Discord Dance Basement Dwelling (Studio Version) 03 - Sopor Aeternus - Hades Pluton Stupid Bitch Reject - Bean niochain Plague Of Madness - On Hold V666 Implant - CCCPCCTV (Shiv-r Remix) Messier 39 vs Kriistal Ann ~ Portals Frank Sinatra - Fly Me To The Moon Reptyle - Ghost Ships For Tomorrow Anders Manga "Night of the Vampire" 01 - Twisted Story [Tkach Radio Cut] ANKST - Salem (Kitty Lectro Remix) Nachtmahr - War On The Dancefloor Waldteufel - Wir Rufen Deine Woelfe Angels Of Liberty - Ritual & Tradition Westdeutsche Christen - Endzeitlust Beyond the Eyes of Men - Black Car TrümmerWelten - my empty dreamv3 Illumination (Ft. Berglind Agustsdottir) Angels Of Liberty - Break The Silence Dead Souls (Joy Division cover) (1994) I don´t know your name(Heavy version) DEVISION - Rage (Mesh Tantrum Mix) After Dusk - With Curses And Dreams I wish that you were here (WinteRemix) The Lesbians - Personality Crisis Time Angels Of Liberty - Touch The Daemon "Clear Windowpane" by Anders Manga Angels of Liberty - The Black Madonna Black Celebration (Ft. KINDEST CUTS) Kiss the whip (Athamay cover) - M.O.D. Godless Procession - Secreto Perverso She's In Stars (Ft. CRUNCHERZ 3 Min) Daydream (DEBARS X BLACK OSIRIS) fauxmusica - "hello subversive arcitecht" Relatives Menschsein "Gefallene Engel" fauxmusica - "showing all the blueprints" All Cried Out (1st W cover) :Wumpscut: Nocturnal Projection - Isn't That Strange Dolor "Der Clown" Part1 Inklusive Lyrikz The Little Heroes - For A Bleeding Heart Geometric Vision - Solitude of the Trees Beyond the Eyes of Men - Wedding Day New Breed - Escape (remastered2014) My Little Girl In The Night - (rmix Teaser) Miazma - Black Rain (remastered 2014) Heresy (Rabbit At War Boom Beast Mix) Soror Dolorosa - The Figure Of The Night Atrocity Dancer (Skon Remix Vocal Edit) ANKST - Monument (Kitty Lectro Remix) Canis Lupus - Calling (remastered 2013) Unseen Chains - 1984 (Thoughts Control) A2 - HNN - Tes mots (LÎle nueLP-LFL9) New Breed - Escape *TBTHOOT* 2014 Angels Of Liberty - Black Knight Satellite Lestat - Midnight Toll (Kitty Lectro Remix) Silent Scream – With Friends Like These Venom Vampires - Lucretia My Reflection New Breed - Pleasure (remastered´14) New Breed - Shadows (remastered´14) Beyond the Eyes of Men - You Try to Run Beyond the Eyes of Men - Divine Engineer New Breed - Neurotica (Remastered 2014) MeinGott version 2012 (Pre-Album-Version) Canis Lupus - Sedative (Remastered 2013) New Breed - Memories (Remastered 2014) New Breed - Existence (Remastered 2014) Kitty Lectro - World Goth Day ( DJ Mix 2014) 10 Cross Of Iron (Advent Resilience remix) The Eternal Fall - The Alchemist (Mix 2014) Destroid - Lucretia My Reflection HD-Lyrics fauxmusica - "true sorcerory upon Montreal" Godless Procession - La Espera (The Wait) I Walk this Earth Alone - (Leaether Strip Mix) fauxmusica - "dancing at the end of act one" Draconian Incubus - Sex (remastered 2014) Angels of Liberty - Talk About Nothing (2013) Dobri Isak - Mi Placemo Iza Tamnih Naočara Absence Of Logic (First Version without Vox) Hexenhammer - Power of the Left Hand Path After Dusk - The Seas Of Infinity (R'lyeh Edit) Scarlet Hatchings - The Saint and The Sinner cut // copy - "hearts on fire" (fauxmusica mix) Angels of Liberty - Shadows Come From Light Umbra Et Imago Feat. Tanzwut "Feuer & Licht" The Lonesome Death Of A Goth DJ (acoustic) Draconian Incubus - Ligeia (Remastered´14) Strap On Halo - Monsters (Kitty Lectro Remix) I Use My Powers For Evil - Lesbian Bed Death Spoonful (acoustic cover - first take, no editing) Darkwave & Goth 2014 - 05 - 31 - DANIELektro Kommunity FK-Something Inside Me Has Died C-Netik - HARDER & LOUDER PODCAST:16 fauxmusica - "fantasy violence" (Extended Mix) Depeche Mode - THE LOVE THIEVES (remix) Beyond the Eyes of Men - Marionette in Dange the glitch mob - "we swarm" (fauxmusica remix) Fixmer McCarthy - Freefall (Remix by Covenant) StrommoussHeld - We are Time (Laibach cover) Shiv-r - Blood Spatter (Forensic Re-examination) Strap On Halo - It's All Over (Kitty Lectro Remix) REPLICANTI/RMX/Kindest Cuts/ForgotMyName The Return Of The Bats l ( Mix By YamiSpechie) (Fan Remix) LingerieRMX by BenjaminsPlague 09. DEVISION - Twisted Story (Rob Dust Remix) The Return Of The Bats ll ( Mix By YamiSpechie ) Canis Lupus - Shine My Light (remastered2013) Beyond the Eyes of Men - Our Dreams Are Gone Shiv-r - Pharmaceutical Grade (Gorium Remix) Angel (DepecheMode AcousticCover bySHIV-R) Cold Therapy - Hello I'm Death (CellhavocRMX) Draconian Incubus - Whispers (remastered´14) The Drowning Season - Hollow (remastered´14) Plague Of Madness - She doesnt feel the same v1 Coinside - Hexenhammer [Martial Mix By Einarök] Canis Lupus - Close Your Eyes (remastered'13) The Sisters Of Mercy - First And Last And Always Canis Lupus - Symmetry [2006] (remastered2013) Godshit (Re-Posessed Relievo Mix) - psychopomps Godless Procession - Mil Noches (Thousand Nights) Life Of My Life, Blood Of My Blood, Love Of My Love Sweet Ermengarde - A Promise To Fulfill (VideoEdit) Aeon Sable - Monster In Me (Angels of Liberty Cover) Draconian Incubus - Velvet Cradle (remastered2014) Yabanci - Ars Nova (Chords Mix) by Oskar Terramortis Angels Of Liberty - Monster In Me (Kitty Lectro Remix) Suicide Commando - When Evil Speaks (Shiv-r Remix) Nitro/Noise - Black Celebration (Depeche Mode) cover Draconian Incubus - Victim (of Love)(Remastered 2014) Draconian Incubus - King Of Misery (Remastered 2014) : GRAUSTUFE : - Aus dem Nebel ... ( ... zu den Sternen ) Wumpscut - Pagan Crusade (Advent Resilience Remix) Godless Procession - Esencia de Fuego FireEssence Ending The Vicious Cycle - Ghosts (Kitty Lectro Remix) Sisters of Mercy-Body Electric (Body And Soul Version) Zanye East - "Raped By Dolphins" (A V G V S T Remix) Godless Procession - SecretoPerverso (WickedSecret) Draconian Incubus - Necrophlian Love (remastered:14) Draconian Incubus - Slave Of My Lust (remastered2014) GOTH·BARBEE'Sneak:peek:preview/!\/.9↓6↑2oI4 Inkl."FD"* Disjecta Membra - Death By Discotheque (ANKST Remix) Sigue Sigue Sputnik electronic - Fascination (Shiv-r remix) Godless Procession - Verbo Encarnado (Verb Made Flesh) John Foxx And The Maths - Shatterproof (Kitty Lectro Remix) Digital Angel - The Time Is Now! (the sands are running out) Yabanci - Procession (Procedere Mix) by Oskar Terramortis Draconian Incubus - Suicide Revelations (remastered2014) REAL FAMILIES HAVE A BARBIE - Q PARTY ON SUNDAY Siouxsie And The Banshees -Red Light (Kitty Lectro Remix) Luminance "Facts Without Emotions" The Light Is Ours Angels Of Liberty - Girl Under The Water (Kitty Lectro Remix) N'to - Trauma (WoraklsRemix&#root.access' Liberty Vocals) Blood & Roses Vampire Ball Mix Part 3 by Juju Bat 10/27/13 Angels Of Liberty - Talk About Nothing (OskarTerramortisMix) CANS - The Decent Of The Modern Goth (ThePlagiarist-RMX ) Angels of Liberty ‎- Monster In Me (MJ-PIA remix) [Dark Techno] Warmth Beneath Winter (unreleased RadioEdit) BrotherOrchid Godless Procession - No Tengo Fe en Ti (I Have No Faith In You) Zanye East - Cyborg Mermaid (Argon Cowboy's Argon Treatment) Wolf Blood (Composed: Adrian Von Ziegler, Cover by Peter Crowley) Plague Of Madness - Blockade (Misery Is Better Than Nothing) demo San Diego Demon Original mix (ChachoNextBeat&ChiquisBackLuke) Sonnenschein (unmastered & without gitarren, and ohne fertigem text) TrockenSaft - Berlin In My Heart Compilation :DOWNLOAD: http://pdj.cc/FgEIc Beyond the Eyes of Men - The Man with the X-Ray Eyes | Bauhaus Cover und es ist gut so und folgerichtig, sag mir zum abschied leise: "fick dich"! Massive Attack vs Portishead - Teardrop on Roads (Mashed by Jaya Prime) Yabanci - Lemegeton (Clavicula Salomonis Regis Mix) by Oskar Terramortis Episode 16: The Synthesis Of Rights & Consequences (with Tom G. Palmer) La Procesión de lo Infinito - La Era Oscura Remastered:by Oskar Terramortis Borealis - Not of This Reality / Black Drop (Recue rework) FREE DOWNLOAD In The Moment When You Leave (Cassandra Complex Mix) Catastrophe Ballet Angels of Liberty - Ritual & Tradition(demo)Pinnacle of the Draco*BonusTrack, Angels Of Liberty - Monster In Me featuring Nino/Aeon Sable (TerramortisMix) New Breed - City of Sin ft. Jan Kenneth Barkved (elusive) remastered Oskar T. D als spezielle´special`m, unspecial.Outro`n´Intro-0f [so] roh:by, bye, bei HiV.6.I.N!K ✞ A 158) ☣GIR ☣Nevermore ☣DJ DAEDALUS ☣DJ Seraphim ☣DJ Electroslut N D ✞ SoOn■ :by ca. 5OO+l,Oops! Tracks cannot exceed the maximum length of 500h ✞ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ P.S.e.n.de / . . . ... , denn by #500 Ist? bzw. war [leider] Schluss! da Maximum ;) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

nothing at of , which is


17. TED TALKS TAG CLOUD v. 1

  • Published: 2013-10-04T09:39:42Z
  • By aids-3d
TED TALKS TAG CLOUD v. 1

A British woman reads the 1788 most common TED TALK words, in order of frequency, for the length of a TED TALK. the and to of that in it you we is this so they was for are have what on but with can there about be all at as do not one re my people like if from now he these just an or very our because when out know going me up by how them here had think which see more really who your get would then were ve their world time don actually laughter us has into things way where years will go want well no other could make been said right something two she first little those look thing got much than say also back new over life his most work kind only take even need did lot good many around why ll applause different down let come through same doing being put three her use year day called any made great percent tell today after thank fact talk human didn't big another last find idea went started thought change give before should own its never off course again better important show problem start next system able does story might him together part each ago came long still bit technology mean few brain place used old looking water between maybe too point end doesn't done whole love example question real four children found wanted understand school million call data always trying person five try everything ever away working women believe may live money design kids feel second information music power thinking space country took man help using high getting means left future energy stuff create number making sense enough small quite light probably best building talking food interesting happened comes play become without home half science anything dollars coming earth pretty body less ask video okay says told side am basically goes africa room social happen hand build saw such across imagine once simple else project picture city moment having lives happens seen bad hard living countries makes six computer move later family case health asked open experience days yet ways car inside mind everybody child process oh guy problems nothing almost learn ideas reason care within while single billion both planet remember states top book young saying whether far wrong set keep looked bring possible self already history global ok cells looks war sure heard true answer hope somebody business amazing men matter someone months read age art yes myself piece form often cancer nature built community god some until face yeah government woman couple isn beautiful under since research line instead middle group control united species public turn words state works language education level mother head taking wasn't job india game heart order places decided students though run kinds large completely everyone stop exactly internet universe model stories must gets company word rather happening hear itself turns guys minutes ourselves society america house share became third huge news learned name study knew hours environment won themselves disease along figure animals machine front couldn't night friends ted happy sound oil ones century created early gave free lots questions particular worked per perhaps against air least seven finally learning based natural audience area china outside american past difference moving thousands wonderful cell during close systems scale terms full ocean leave cost entire taken others takes whatever culture black behind beginning yourself seeing needs given eyes eight view changed spend size market interested difficult image easy population york green parts center land turned amount week hands grow deal cannot buy certain longer father gone powerful realized needed tried began simply local red phone walk quickly media known feet white common low death blue incredible force team humans spent girl parents sitting fish ability dna rest step south wouldn either paper lost economic reality weeks felt companies surface growing shows born watch national film economy structure test write brought changes morning opportunity bottom books short forward friend cities street nice pay starting value absolutely eat poor complex behavior political technologies fly anyone animal growth areas playing average sea feeling fun miles ground field stage program knowledge wrote literally die sun deep speak climate physical developed challenge patients scientists understanding kid theory patient giving hundreds images nobody attention north cut tools met fast act running result seems alone non material law individual movement games realize shape gives save knows hold developing blood wall evolution recently anybody please voice type development telling english normal cars numbers computers ice web showed obviously baby hour lab produce talked personal haven access ca chinese millions digital discovered key cool changing girls support relationship dead especially effect experiment focus industry pictures rate creating major online meet begin dark seem issue innovation guess becomes fear source stand allow situation color medical class 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18. The Gold Bug

The Gold Bug

The Gold Bug Many years ago I contracted an intimacy with a Mr. William Legrand. He was of an ancient Huguenôt family, and had once been wealthy; but a series of misfortunes had reduced him to want. To avoid the mortification consequent upon his disasters, he left New Orleans, the city of his forefathers, and took up his residence at Sullivan’s Island, near Charleston, South Carolina. This Island is a very singular one. It consists of little else than the sea sand, and is about three miles long. Its breadth at no point exceeds a quarter of a mile. It is separated from the main land by a scarcely perceptible creek, oozing its way through a wilderness of reeds and slime, a favorite resort of the marsh-hen. The vegetation, as might be supposed, is scant, or at least dwarfish. No trees of any magnitude are to be seen. Near the western extremity, where Fort Moultrie stands, and where are some miserable frame buildings, tenanted, during summer, by the fugitives from Charleston dust and fever, may be found, indeed, the bristly palmetto; but the whole island, with the exception of this western point and a line of hard white beach on the sea-coast, is covered with a dense undergrowth of the sweet myrtle so much prized by the horticulturists of England. The shrub here often attains the height of fifteen or twenty feet, and forms an almost impenetrable coppice, burthening the air with its fragrance. In the inmost recesses of this coppice, not far from the eastern or more remote end of the island, Legrand had built himself a small hut, which he occupied when I first, by mere accident, made his acquaintance. This soon ripened into friendship — for there was much in the recluse to excite interest and esteem. I found him well educated, with unusual powers of mind, but infected with misanthropy, and subject to perverse moods of alternate enthusiasm and melancholy. He had with him many books, but rarely employed them. His chief amusements were gunning and fishing, or sauntering along the bank and through the myrtles, in quest of shells or entomological specimens; — his collection of the latter might have been envied by a Swammerdamm. In these excursions he was usually accompanied by an old negro, called Jupiter, who had been manumitted before the reverses of the family, but who could be induced, neither by threats nor by promises, to abandon what he considered his right of attendance upon the footsteps of his young “Massa Will.” It is not improbable that the relatives of Legrand, conceiving him to be somewhat unsettled in intellect, had contrived to instil this obstinacy into Jupiter, with a view to the supervision and guardianship of the wanderer. The winters in the latitude of Sullivan’s Island are seldom very severe, and, in the fall of the year, it is a rare event indeed when a fire is considered necessary. About the middle of October, 18 — , there occurred, however, a day of remarkable chilliness. Just before sunset I scrambled my way through the evergreens to the hut of my friend, whom I had not visited for several weeks; — my residence being, at that time, in Charleston, a distance of nine miles from the Island, while the facilities of passage and re-passage were very far behind those of the present day. Upon reaching the hut I rapped, as was my custom, and, getting no reply, sought for the key where I knew it was secreted, unlocked the door and went in. A fine fire was blazing upon the hearth. It was a novelty and by no means an unwelcome one. I threw off an overcoat, took an arm-chair by the crackling logs, and waited patiently the arrival of my hosts. Soon after dark they arrived and gave me a most cordial welcome. Jupiter, grinning from ear to ear, bustled about to prepare some marsh-hens for supper. Legrand was in one of his fits — how else shall I term them? — of enthusiasm. He had found an unknown bivalve, forming a new genus, and, more than this, he had hunted down and secured, with Jupiter’s assistance, a scarabæus which he believed to be totally new, but in respect to which he wished to have my opinion on the morrow. “And why not to-night?” I asked, rubbing my hands over the blaze and wishing the whole tribe of scarabæi at the devil. “Ah, if I had only known you were here!” said Legrand, “but it’s so long since I saw you; and how could I foresee that you would pay me a visit this very night of all others? As I was coming home I met Lieutenant G —— , from the fort, and, very foolishly, I lent him the bug; so it will be impossible for you to see it until the morning. Stay here to-night, and I will send Jup down for it at sunrise. It is the loveliest thing in creation!” “What? — sunrise?” “Nonsense! no! — the bug. It is of a brilliant gold color — about the size of a large hickory-nut — with two jet black spots near one extremity of the back, and another, somewhat longer, at the other. The antennæ are” — “Dey aint no tin in him, Massa Will, I keep a tellin on you,” here interrupted Jupiter; “de bug is a goole bug, solid, ebery bit of him, inside and all, sep him wing — neber feel half so hebby a bug in my life.” “Well, suppose it is, Jup,” replied Legrand, somewhat more earnestly, it seemed to me, than the occasion demanded, “is that any reason for your letting the birds burn? The color” — here he turned to me — “is really almost enough to warrant Jupiter’s idea. You never saw a more brilliant metallic lustre than the scales emit — but of this you cannot judge till [column 2:] to-morrow. In the mean time I can give you some idea of the shape.” Saying this, he seated himself at a small table, on which were a pen and ink, but no paper. He looked for some in a drawer, but found none. “Never mind,” said he at length, “this will answer;” and he drew from his waistcoat pocket a scrap of what I took to be very dirty foolscap, and made upon it a rough drawing with the pen. While he did this I retained my seat by the fire, for I was still chilly. When the design was complete he handed it to me without rising. As I received it a loud growl was heard, succeeded by a scratching at the door. Jupiter opened it, and a large Newfoundland, belonging to Legrand, rushed in, leaped upon my shoulders, and loaded me with caresses; for I had shown him much attention during previous visits. When his gambols were over I looked at the paper, and, to speak the truth, found myself not a little puzzled at what my friend had depicted. “Well!” I said, after contemplating it for some minutes, “this is a strange scarabæus, I must confess: new to me: never saw anything like it before — unless it was a skull, or a death’s-head — which it more nearly resembles than anything else that has come under my observation.” “A death’s-head!” echoed Legrand — ”Oh — yes — well, it has something of that appearance upon paper, no doubt. The two upper black spots look like eyes, eh? and the longer one at the bottom like a mouth — and then the shape of the whole is oval.” “Perhaps so,” said I; “but, Legrand, I fear you are no artist. I must wait until I see the beetle itself, if I am to form any idea of its personal appearance.” “Well, I don’t know,” said he, a little nettled, “I draw tolerably — should do it at least — have had good masters, and flatter myself that I am not quite a blockhead.” “But, my dear fellow, you are joking then,” said I, “this is a very passable skull — indeed, I may say that it is a very excellent skull, according to the vulgar notions about such specimens of physiology — and your scarabæus must be the queerest scarabæus in the world if it resembles it. Why we may get up a very thrilling bit of superstition upon this hint. I presume you will call the bug scarabæus caput hominis, or something of that kind — there are many similar titles in the Natural Histories. But where are the antennæ you spoke of?” “The antennæ! “ said Legrand, who seemed to be getting unaccountably warm upon the subject; “I am sure you must see the antennæ. I made them as distinct as they are in the original insect, and I presume that is sufficient.” “Well, well,” I said, “perhaps you have — still I don’t see them;” and I handed him the paper without additional remark, not wishing to ruffle his temper; but I was much surprised at the turn affairs had taken; his ill humor puzzled me — and, as for the drawing of the beetle, there were positively no antennæ visible, and the whole did bear a very close resemblance to the ordinary cuts of a death’s-head. He received the paper very peevishly, and was about to crumple it, apparently to throw it in the fire, when a casual glance at the design seemed suddenly to rivet his attention. In an instant his face grew violently red — in another as excessively pale. For some minutes he continued to scrutinize the drawing minutely where he sat. At length he arose, took a candle from the table, and proceeded to seat himself upon a sea-chest in the farthest corner of the room. Here again he made an anxious examination of the paper; turning it in all directions. He said nothing, however, and his conduct greatly astonished me; yet I thought it prudent not to exacerbate the growing moodiness of his temper by any comment. Presently he took from his coat-pocket a wallet, placed the paper carefully in it, and deposited both in a writing-desk, which he locked. He now grew more composed in his demeanor; but his original air of enthusiasm had quite disappeared. Yet he seemed not so much sulky as abstracted. As the evening wore away he became more and more absorbed in reverie, from which no sallies of mine could arouse him. It had been my intention to pass the night at the hut, as I had frequently done before, but, seeing my host in this mood, I deemed it proper to take leave. He did not press me to remain, but, as I departed, he shook my hand with even more than his usual cordiality. It was about a month after this (and during the interval I had seen nothing of Legrand) when I received a visit, at Charleston, from his man, Jupiter. I had never seen the good old negro look so dispirited, and I feared that some serious disaster had befallen my friend. “Well, Jup,” said I, “what is the matter now? — how is your master?” “Why, to speak de troof, massa, him not so berry well as mought be.” “Not well! I am truly sorry to hear it. What does he complain of?” “Dar! dat’s it! — him neber plain ob notin — but him berry sick for all dat.” “Very sick, Jupiter! — why didn’t you say so at once? Is he confined to bed?” “No, dat he aint! — he aint find nowhar — dat’s just whar de shoe pinch — my mind is got to be berry hebby bout poor Massa Will.” “Jupiter, I should like to understand what it is you are talking about. You say your master is sick. Hasn’t he told you what ails him?” “Why, massa, taint worf while for to git mad about de matter — Massa Will say noffin at all aint de matter wid him — but den what make him go bout looking dis here way, wid he head down and he soldiers up, and as white as a gose? And den he keep a syphon all de time” — “Keeps a what, Jupiter?” “Keeps a syphon wid de figgurs on de slate — de queerest figures I ebber did see. Ise gittin to be skeered, I tell you. Hab for to keep mighty tight eye pon him noovers. Todder day he gib me slip fore de sun up and was gone de whole ob de blessed day. I had a big stick ready cut for to gib him d — n good beatin when he did come — but Ise sich a fool dat I had n’t de heart arter all — he look so berry poorly.” “Eh? — what? — ah yes! — upon the whole I think you had better not be too severe with the poor fellow — do n’t flog him, Jupiter — he can’t very well stand it — but can you form no idea of what has occasioned this illness, or rather this change of conduct? Has any thing unpleasant happened since I saw you?” “No, massa, dey aint bin noffin onpleasant since den — ‘twas fore den I’m feared — ‘twas the berry day you was dare.” “How? what do you mean?” “Why, massa, I mean de bug — dare now.” “The what?” “De bug — I’m berry sartain dat Massa Will bin bit somewhere bout the head by dat d — n goole-bug.” “And what cause have you, Jupiter, for such a supposition?” “Claws enuff, massa, and mouff too. I nebber did see sich a d — n bug — he kick and he bite ebery ting what cum near him. Massa Will cotch him fuss, but had for to let him go gin mighty quick, I tell you — den was de time he must ha got de bite. I did n’t like de look ob de bug mouff, myself, no how, so I would n’t take hold ob him wid my finger, but cotch him wid a piece ob paper dat I found. I rap him up in de [column 3:] paper and stuff piece ob it in he mouff — dat was de way.” “And you think, then, that your master was really bitten by the beetle, and that the bite made him sick?” “I do n’t tink noffin bout it — I nose it. What make him dream bout de goole so much, if taint cause he bit by de goole-bug? Ise heerd bout dem goole-bugs fore dis.” “But how do you know he dreams about gold?” “How I know? — why cause he talk about it in he sleep — dat’s how I nose.” “Well, Jup, perhaps you are right; but to what fortunate circumstance am I to attribute the honor of a visit from you, to-day?” “What de matter, massa?” “Did you bring any message from Mr. Legrand?” “No, massa, I bring dis here pissel;” and here Jupiter handed me a note which ran thus: MY DEAR ——, Why have I not seen you for so long a time? I hope you have not been so foolish as to take offence at any little brusquerie of mine; but no, that is improbable. Since I saw you I have had great cause for anxiety. I have something to tell you, yet scarcely know how to tell it, or whether I should tell it at all. I have not been quite well for some days past, and poor old Jup annoys me, almost beyond endurance, by his well-meant attentions Would you believe it? — he had prepared a huge stick, the other day, with which to chastise me for giving him the slip, and spending the day, solus, among the hills on the main land. I verily believe that my ill looks alone saved me a flogging. I have made no addition to my cabinet since we met. If you can, in any way, make it convenient, come over with Jupiter. Do come. I wish to see you, to-night, upon business of importance. I assure you that it is of the highest importance. Ever, yours, WILLIAM LEGRAND. There was something in the tone of this note which gave me great uneasiness. Its whole style differed materially from that of Legrand. What could he be dreaming of? What new crotchet possessed his excitable brain? What “business of the highest importance” could he possibly have to transact? Jupiter’s account of him boded no good. I dreaded lest the continued pressure of misfortune had, at length, fairly unsettled the reason of my friend. Without a moment’s hesitation, therefore, I prepared to accompany the negro. Upon reaching the wharf, I noticed a scythe and three spades, all apparently new, lying in the bottom of the boat in which we were to embark. “What is the meaning of all this, Jup?” I inquired. “Him syfe, massa, and spade.” “Very true; but what are they doing here?” “Him de syfe and de spade which Massa Will sis pon my buying for him in de town, and de debbil’s own lot of money I had to gib for em.” “But what, in the name of all that is mysterious, is your ‘Massa Will’ going to do with scythes and spades?” “Dat’s more dan I know, and debbil take me if I do n’t blieve tis more dan he know, too. But it’s all cum ob de bug.” Finding that no satisfaction was to be obtained of Jupiter, whose whole intellect seemed to be absorbed by “de bug,” I now stepped into the boat and made sail. With a fair and strong breeze we soon ran into the little cove to the northward of Fort Moultrie, and a walk of some two miles brought us to the hut. It was about three in the afternoon when we arrived. Legrand had been awaiting us in eager expectation. He grasped my hand with a nervous empressement which alarmed me and strengthened the suspicions already entertained. His countenance was pale, even to ghastliness, and his deep-set eyes glared with unnatural lustre. After some inquiries respecting his health, I asked him, not knowing what better to say, if he had yet obtained the scarabæus from Lieutenant G —. “Oh, yes,” he replied, coloring violently, “I got it from him the next morning. Nothing should tempt me to part with that scarabæus. Do you know that Jupiter is quite right about it?” “In what way?” I asked, with a sad foreboding at heart. “In supposing it to be a bug of real gold.” He said this with an air of profound seriousness, and I felt inexpressibly shocked. “This bug is to make my fortune,” he continued, with a triumphant smile, “to re-instate me in my family possessions. Is it any wonder, then, that I prize it? Since Fortune has thought fit to bestow it upon me, I have only to use it properly and I shall arrive at the gold of which it is the index. Jupiter, bring me that scarabæus! “ “What! de bug, massa? I’d rudder not go fer to trubble dat bug — you mus git him for your own self.” Hereupon Legrand arose, with a grave and stately air, and brought me the beetle from a glass case in which it was enclosed. It was a beautiful scarabæus, and, at that time, unknown to naturalists — of course a great prize in a scientific point of view. There were two round black spots near one extremity of the back, and a longer one near the other. The scales were exceedingly hard and glossy, with all the appearance of burnished gold. The weight of the insect was very remarkable, and, taking all things into consideration, I could hardly blame Jupiter for his opinion respecting it; but what to make of Legrand’s concordance with that opinion, I could not, for the life of me, tell. “I sent for you,” said he, in a grandiloquent tone, when I had completed my examination of the beetle, “I sent for you, that I might have your counsel and assistance in furthering the views of Fate and of the bug” — “My dear Legrand,” I cried, interrupting him, “you are certainly unwell, and had better use some little precautions. You shall go to bed, and I will remain with you a few days, until you get over this. You are feverish and” — “Feel my pulse,” said he. I felt it, and, to say the truth, found not the slightest indication of fever. “But you may be ill and yet have no fever. Allow me, this once, to prescribe for you. In the first place, go to bed. In the next” — “You are mistaken,” he interposed, “I am as well as I can expect to be under the excitement which I suffer. If you really wish me well, you will relieve this excitement.” “And how is this to be done?” “Very easily. Jupiter and myself are going upon an expedition into the hills upon the main land, and, in this expedition, we shall need the aid of some person in whom we can confide. You are the only one we can trust. Whether we succeed or fail, the excitement which you now perceive in me will be equally allayed.” “I am anxious to oblige you in any way,” I replied; “but do you mean to say that this infernal beetle has any connection with your expedition into the hills?” “It has.” “Then, Legrand, I can become a party to no such absurd proceeding.” “I am sorry — very sorry — for we shall have to try it by ourselves.” “Try it by yourselves! The man is surely mad! — but stay! — how long do you propose to be absent?” “Probably all night. We shall start immediately and be back, at all events, by sunrise.” [column 4:] “And will you promise me, upon your honor, that when this freak of yours is over, and the bug business (good God!) settled to your satisfaction, you will then return home and follow my advice implicitly, as that of your physician?” “Yes; I promise; and now let us be off, for we have no time to lose.” With a heavy heart I accompanied my friend. We started about four o’clock — Legrand, Jupiter, the dog, and myself. Jupiter had with him the scythe and spades — the whole of which he insisted upon carrying — more through fear, it seemed to me, of trusting either of the implements within reach of his master, than from any excess of industry or complaisance. His demeanor was dogged in the extreme, and “dat d — n bug” were the sole words which escaped his lips during the journey. For my own part, I had charge of a couple of dark lanterns, while Legrand contented himself with the scarabæus, which he carried attached to the end of a bit of whip-cord; twirling it to and fro, with the air of a conjuror, as he went. When I observed this last plain evidence of my friend’s aberration of mind, I could scarcely refrain from tears. I thought it best, however, to humor his fancy, at least for the present, or until I could adopt some more energetic measures with a chance of success. In the mean time I endeavored, but all in vain, to sound him in regard to the object of the expedition. Having succeeded in inducing me to accompany him, he seemed unwilling to hold conversation upon any topic of minor importance, and to all my questions vouchsafed no other reply than “we shall see!” We crossed the creek at the head of the island by means of a skiff, and, ascending the high grounds on the shore of the main land, proceeded, in a northwesternly direction, through a tract of country excessively wild and desolate, where no trace of a human footstep was to be seen. Legrand led the way with decision; pausing only for an instant, here and there, to consult what appeared to be certain landmarks of his own contrivance upon a former occasion. In this manner we journeyed for about two hours, and the sun was just setting when we entered a region infinitely more dreary than any yet seen. It was a species of table-land, near the summit of an almost inaccessible hill, densely wooded from base to pinnacle, and interspersed with huge crags that appeared to lie loosely upon the soil, and, in many cases, were prevented from precipitating themselves into the valleys below merely by the support of the trees against which they reclined. Deep ravines, in various directions, gave an air of still sterner solemnity to the scene. The natural platform to which we had clambered was thickly overgrown with brambles, through which we soon discovered that it would have been impossible to force our way but for the scythe; and Jupiter, by direction of his master, proceeded to clear for us a path to the foot of an enormously tall tulip-tree, which stood, with some eight or ten oaks, upon the level, and far surpassed them all, and all other trees which I had then ever seen, in the beauty of its foliage and form, in the wide spread of its branches, and in the general majesty of its appearance. When we reached this tree, Legrand turned to Jupiter, and asked him if he thought he could climb it. The old man seemed a little staggered by the question, and, for some moments, made no reply. At length he approached the tree, walked slowly round its huge trunk, and examined it with minute attention. When he had completed his scrutiny he merely said, “Yes, massa, Jup climb any tree he ebber see in he life.” “Then up with you as soon as possible, for it will soon be too dark to see what we are about.” “How far mus go up, massa?” inquired Jupiter. “Get up the main trunk first, and then I will tell you which way to go — and here — stop! — take this beetle up with you.” “De bug, Massa Will! — de goole bug!” cried the negro, drawing back in dismay — “what for mus tote de bug way up de tree? — d — n if I do!” “If you are afraid, Jup, a great big negro like you, to take hold of a harmless little dead beetle, why you can carry it up by this string — but, if you do not take it up with you in some way, I shall be under the necessity of breaking your head with this shovel.” “What de matter, now, massa?” said Jup, evidently shamed into compliance; “always want for to raise fuss wid old nigger. Was only funnin any how. Me feered de bug! what I keer for de bug?” Here he took cautiously hold of the extreme end of the string, and, maintaining the insect as far from his person as circumstances would permit, prepared to ascend the tree. In youth, the tulip-tree, or Liriodendron Tulipferum, the most magnificent of American foresters, has a trunk peculiarly smooth, and often rises to a great height without lateral branches; but, in its riper age, the bark becomes gnarled and uneven, while many short limbs make their appearance on the stem. Thus the difficulty of ascension, in the present case, lay more in semblance than in reality. Embracing the huge cylinder, as closely as possible, with his arms and knees, seizing with his hands some projections, and resting his naked toes upon others, Jupiter, after one or two narrow escapes from falling, at length wriggled himself into the first great fork, and seemed to consider the whole business as virtually accomplished. The risk of the achievement was, in fact, now over, although the climber was some sixty or seventy feet from the ground. “Which way mus go now, Massa Will?” he asked. “Keep up the largest branch — the one on this side,” said Legrand. The negro obeyed him promptly, and apparently with but little trouble; ascending higher and higher, until no glimpse of his squat figure could be obtained through the dense foliage which enveloped it. Presently his voice was heard in a sort of halloo. “How much fudder is got for go?” “How high up are you?” asked Legrand. “Ebber so fur,” replied the negro; “can see de sky fru de top ob de tree.” “Never mind the sky, but attend to what I say. Look down the trunk and count the limbs below you on this side. How many limbs have you passed?” “One, two, three, four, fibe — I done pass fibe big limb, massa, pon dis side.” “Then go one limb higher.” In a few minutes the voice was heard again, announcing that the seventh limb was attained. “Now, Jup,” cried Legrand, evidently much excited, “I want you to work your way out upon that limb as far as you can. If you see anything strange, let me know.” By this time what little doubt I might have entertained of my poor friend’s insanity, was put finally at rest. I had no alternative but to conclude him stricken with lunacy, and I became seriously anxious about getting him home. While I was pondering upon what was best to be done, Jupiter’s voice was again heard. “Mos feerd for to ventur pon dis limb berry far — tis dead limb putty much all de way.” “Did you say it was a dead limb, Jupiter?” cried Legrand in a quavering voice. “Yes, massa, him dead as de door-nail — done up for sartain — done departed dis here life.” [column 5:] “What in the name of heaven shall I do?” asked Legrand, seemingly in the greatest distress. “Do!” said I, glad of an opportunity to interpose a word, “why come home and go to bed. Do — that’s a fine fellow. It’s getting late, and, besides, you remember your promise.” “Jupiter,” cried he, without heeding me in the least, “do you hear me?” “Yes, Massa Will, hear you ebber so plain.” “Try the wood well, then, with your knife, and see if you think it very rotten.” “Him rotten, massa, sure nuff,” replied the negro in a few moments, “but not so berry rotten as mought be. Mought ventur out leetle way pon de limb by myself, dat’s true.” “By yourself! — what do you mean?” “Why I mean de bug. Tis berry hebby bug. Spose I drop him down fuss, and den de limb won’t break wid just de weight ob one nigger.” “You infernal scoundrel!” cried Legrand, apparently much relieved, “what do you mean by telling me such nonsense as that? As sure as you drop that beetle I’ll break your neck. Look here, Jupiter, do you hear me?” “Yes, massa, need’nt hollo at poor nigger dat style.” “Well! now listen! — if you will venture out on the limb as far as you think safe, and not let go of the beetle, I’ll make you a present of a silver dollar as soon as you get down.” “I’m gwine, Massa Will — deed I is,” replied the negro very promptly — “mos out to de eend now.” “Out to the end! “ here fairly screamed Legrand, “do you say you are out to the end of that limb?” “Soon be to de eend, massa, — o-o-o-o-oh! Lor-gol-a-marcy! what is dis here pon de tree?” “Well!” cried Legrand, highly delighted, “what is it?” “Why taint noffin but a skull — somebody bin lef him head up de tree, and de crows done gobble ebery bit ob de meat off.” “A skull, you say! — very well! — how is it fastened to the limb? — what holds it on?” “Sure nuff, massa; mus look. Why dis berry curous sarcumstance, pon my word — dare’s a great big nail in de skull, what fastens ob it on to de tree.” “Well now, Jupiter, do exactly as I tell you — do you hear?” “Yes, massa.” “Pay attention, then! — find the left eye of the skull.” “Hum! hoo! dat’s good! why dare aint no eye lef at all.” “Curse your stupidity! do you know your right hand from your left?” “Yes, I nose dat — nose all bout dat — tis my lef hand what I chops de wood wid.” “To be sure! you are left-handed; and your left eye is on the same side as your left hand. Now, I suppose, you can find the left eye of the skull, or the place where the left eye has been. Have you found it?” Here was a long pause. At length the negro asked, “Is de lef eye of de skull pon de same side as de lef hand of de skull, too? — cause de skull aint got not a bit ob a hand at all — nebber mind! I got de lef eye now — here de lef eye! what mus do wid it?” “Let the beetle drop through it, as far as the string will reach — but he careful and not let go your hold of the string.” “All dat done, Massa Will; mighty easy ting for to put de bug fru de hole — look out for him dare below!” “Very well! — now just keep as you are for a few minutes.” During this colloquy no portion of Jupiter’s person could be seen; but the beetle, which he had suffered to descend, was now visible at the end of the string, and glistened, like a globe of burnished gold, in the last rays of the setting sun, some of which still faintly illumined the eminence upon which we stood. The scarabæus hung quite clear of any branches, and, if allowed to fall, would have fallen at our feet. Legrand immediately took the scythe, and cleared with it a circular space, three or four yards in diameter, just beneath the insect, and, having accomplished this, ordered Jupiter to let go the string and come down from the tree. Driving a peg, with great nicety, into the ground, at the precise spot where the beetle lay, my friend now produced from his pocket a tape[[-]]measure. Fastening one end of this at that point of the trunk of the tree which was nearest the peg, he unrolled it till it reached the peg, and thence farther unrolled it, in the direction already established by the two points of the tree and the peg, for the distance of fifty feet — Jupiter clearing away the brambles with the scythe. At the spot thus attained a second peg was driven, and about this, as a centre, a rude circle, about four feet in diameter, described. Taking now a spade himself, and giving one to Jupiter and one to me, Legrand begged us to set about digging as quickly as possible. To speak the truth, I had no especial relish for such amusement at any time, and, at that particular moment, I would most willingly have declined it; for the night was coming on, and I felt much fatigued with the exercise already taken; but I saw no mode of escape, and was fearful of disturbing my poor friend’s equanimity by a refusal. Could I have depended, indeed, upon Jupiter’s aid, I would have had no hesitation in attempting to get the lunatic home by force; but I was too well assured of the old negro’s disposition, to hope that he would assist me, under any circumstances, in a personal contest with his master. I made no doubt that the latter had been infected with some of the innumerable Southern superstitions about money buried, and that his phantasy had received confirmation by the finding of the scarabæus, or, perhaps, by Jupiter’s obstinacy in maintaining it to be “a bug of real gold.” A mind disposed to lunacy would readily be led away by such suggestions — especially if chiming in with favorite preconceived ideas — and then I called to mind the poor fellow’s speech about the beetle’s being “the index of his fortune.” Upon the whole, I was sadly vexed and puzzled, but, at length, I concluded to make a virtue of necessity — to dig with a good will, and thus the sooner to convince him, by ocular demonstration, of the fallacy of the opinions he entertained. The lanterns having been lit, we all fell to work with a zeal worthy a more rational cause; and, as the glare fell upon our persons and implements, I could not help thinking how picturesque a group we composed, and how strange and suspicious our labors must have appeared to any interloper who, by chance, might have stumbled upon our whereabouts. We dug very steadily for two hours. Little was said; and our chief embarrassment lay in the yelpings of the dog, who took exceeding interest in our proceedings. He, at length, became so obstreperous that we grew fearful of his giving the alarm to some stragglers in the vicinity; — or, rather, this was the apprehension of Legrand; — for myself, I should have rejoiced at any interruption which might have enabled me to get the wanderer home. The noise was, at length, very effectually silenced by Jupiter, who, getting out of the hole with a dogged air of deliberation, tied the brute’s mouth up with one of his suspenders, and then returned, with a grave chuckle, to his task. When the time mentioned had expired, we [column 6:] had reached a depth of five feet, and yet no signs of any treasure became manifest. A general pause ensued, and I began to hope that the farce was at an end. Legrand, however, although evidently much disconcerted, wiped his brow thoughtfully and recommenced. We had excavated the entire circle of four feet diameter, and now we slightly enlarged the limit, and went to the farther depth of two feet. Still nothing appeared. The gold-seeker, whom I sincerely pitied, at length clambered from the pit, with the bitterest disappointment imprinted upon every feature, and proceeded, slowly and reluctantly, to put on his coat, which he had thrown off at the beginning of his labor. In the mean time I made no remark. Jupiter, at a signal from his master, began to gather up his tools. This done, and the dog having been unmuzzled, we turned in a profound silence towards home. We had taken, perhaps, a dozen steps in this direction, when, with a loud oath, Legrand strode up to Jupiter and seized him by the collar. The astonished negro opened his eyes and mouth to the fullest extent, let fall the spades, and fell upon his knees. “You scoundrel,” said Legrand, hissing out the syllables from between his clenched teeth — “you infernal black villain! — speak, I tell you! — answer me this instant without prevarication! — which — which is your left eye?” “Oh, my Golly, Massa Will! aint dis here my lef eye for sartain?” roared the terrified Jupiter, placing his hand upon his right organ of vision, and holding it there with a desperate pertinacity, as if in immediate dread of his master’s attempt at a gouge. “I thought so! — I knew it! — hurrah!” vociferated Legrand, letting the negro go, and executing a series of curvets and caracols, much to the astonishment of his valet, who, arising from his knees, looked, mutely, from his master to myself and then from myself to his master. “Come! we must go back,” said the latter, “the game’s not up yet;” and he again led the way to the tulip-tree. “Jupiter,” said he, when we reached its foot, “come here! was the skull nailed to the limb with the face outwards, or with the face to the limb?” “De face was out massa, so dat de crows could get at de eyes good, widout any trubble.” “Well, then, was it this eye or that through which you dropped the beetle?” — here Legrand touched each of Jupiter’s eyes. “Twas dis eye, massa — de lef eye — jis as you tell me,” and here it was his right eye that the negro indicated. “That will do — we must try it again.” Here my friend, about whose madness I now saw, or fancied that I saw, certain indications of method, removed the peg nearest the tree, to a spot about three inches to the westward of its former position. Taking, now, the tape-measure from the nearest point of the trunk, as before, and continuing the extension in a straight line to the distance of fifty feet, a spot was indicated, removed, by several yards, from the point at which we had been digging. Around the new position a circle, somewhat larger than in the former instance, was now described, and we again set to work with the spades. I was dreadfully weary, but, scarcely understanding what had occasioned the change [column 7, top: (the text is broken here by the presence of the illustration across 6th and 7th columns.] in my thoughts, I felt no longer any great aversion from the labor imposed. I had become most unaccountably interested — nay, even excited. Perhaps there was something, amid all the extravagant demeanor of Legrand — some air of forethought, or of deliberation, which impressed me. I dug eagerly, and now and then caught myself actually looking, with something that very much resembled expectation, for the fancied treasure, the vision of which had demented my unfortunate companion. At a period when such vagaries of thought most fully possessed me, and when we had been at work perhaps an hour and a half, we were again interrupted by the violent howlings of the dog. His uneasiness, in the first instance, had been, evidently, but the result of playfulness or caprice, but he now assumed a bitter and serious tone. Upon Jupiter’s again attempting to muzzle him, he made furious resistance, and, leaping into the hole, tore up the mould frantically with his claws. In a few seconds he had uncovered a mass of human bones, forming two complete skeletons, and intermingled with several buttons of metal, and what appeared to be the dust of decayed woollen. One or two strokes of a spade upturned the blade of a large Spanish knife, and, as we dug farther, three or four loose pieces of gold and silver coin came to light. At sight of these the joy of Jupiter could scarcely be restrained, but the countenance of his master wore an air of extreme disappointment. He urged us, however, to continue our exertions, and the words were hardly uttered when I stumbled and fell forward, having caught the toe of my boot in a large ring of iron that lay half buried in the loose earth. We now worked in good earnest, and never did I pass ten minutes of more intense excitement. During this interval we had fairly unearthed an oblong chest of wood, which, from its perfect preservation and wonderful hardness, had plainly been subjected to some mineralizing process — perhaps that of the Bi-chloride of Mercury. This box was three feet and a half long, three feet broad, and two and a half feet deep. It was firmly secured by bands of wrought iron, riveted, and forming a kind of open trellis-work over the whole. On each side of the chest, near the top, were three rings of iron — six in all — by means of which a firm hold could be obtained by six persons. Our utmost united endeavors served only to disturb the coffer very slightly in its bed. We at once saw the impossibility of removing so great a weight. Luckily, the sole fastenings of the lid consisted of two sliding bolts. These we drew back — trembling and panting with anxiety. In an instant, a treasure of incalculable value lay gleaming before us. As the rays of the lanterns fell within the pit, there flashed upwards a glow and a glare, from a confused heap of gold and of jewels that absolutely dazzled our eyes. I shall not pretend to describe the feelings with which I gazed. Amazement was, of course, predominant. Legrand appeared exhausted with excitement, and spoke very few words. Jupiter’s countenance wore, for some minutes, as deadly a pallor as it is possible, in nature of things, for any negro’s visage to assume. He seemed stupified — thunderstricken. Presently he fell upon his knees in the pit, and, burying his naked arms up to the elbows in gold, [[here appears the first illustration, resuming beneath the illustration, continuing from column 7 and resuming at the bottom of column 6:]] let them there remain, as if enjoying the luxury of a bath. At length, with a deep sigh, he exclaimed, as if in a soliloquy, “And dis all cum ob de goole-bug! de putty goole bug! de poor little goole-bug, what I boosed in dat sabage kind ob style! Aint you shamed ob yourself, nigger? — answer me dat!” It became necessary, at last, that I should arouse both master and valet to the expediency of removing the treasure. It was growing late, and it behooved us to make exertion, that we might get every thing housed before daylight. It was difficult to say what should be done, and much time was spent in deliberation — so confused were the ideas of all. We, finally, lightened the box by removing two-thirds of its contents, when we were enabled, with some trouble, to raise it from the hole. The articles taken out were deposited among the brambles, and the dog left to guard them, with strict orders from Jupiter neither, upon any pretence, to stir from the spot, nor to open his mouth until our return. We then hurriedly made for home with the chest; reaching the hut in safety, but after excessive toil, at one o’clock in the morning. Worn out as we were, it was not in human nature to do more immediately. We rested until two, and had supper; starting for the hills immediately afterwards, armed with three stout sacks, which, by good luck, were upon the premises. A little before four we arrived at the pit, divided the remainder of the booty, as equally as might be, among us, and, leaving the holes unfilled, again set out for the hut, at which, for the second time, we deposited our golden burthens, just as the first faint streaks of the dawn gleamed from over the tree-tops in the East. We were now thoroughly broken down; but the intense excitement of the time denied us repose. After an unquiet slumber of some three or four hours’ duration, we arose, as if by preconcert, to make examination of our treasure. The chest had been full to the brim, and we spent the whole day, and the greater part of the next night, in a scrutiny of its contents. There had been nothing like order or arrangement. Every thing had been heaped in promiscuously. Having assorted all with care, we found ourselves possessed of even vaster wealth than we had at first supposed. In coin there was rather more than four hundred and fifty thousand dollars — estimating the value of the pieces, as accurately as we could, by the tables of the period. There was not a particle of silver. All [Bottom of column 7:] was gold of antique date and of great variety — French, Spanish, and German money, with a few English guineas, and some counters of which we had never seen specimens before. There were several very large and heavy coins, so worn that we could make nothing of their inscriptions. There was no American money. The value of the jewels we found more difficulty in estimating. There were diamonds — some of them exceedingly large and fine — a hundred and ten in all, and not one of them small; eighteen rubies of remarkable brilliancy; — three hundred and ten emeralds, all very beautiful; — and twenty-one sapphires, with an opal. These stones had all been broken from their settings and thrown loose in the chest. The settings themselves, which we picked out from among the other gold, appeared to have been beaten up with hammers, as if to prevent identification. Besides all this, there was a vast quantity of solid gold ornaments; — nearly two hundred massive finger and ear rings; — rich chains — thirty of these, if I remember; — eighty-three very large and heavy crucifixes; — fine gold censers of great value; — a prodigious golden punch-bowl, ornamented with richly chased vine-leaves and Bacchanalian figures; with two sword handles exquisitely embossed, and many other smaller articles which I cannot recollect. The weight of these valuables exceeded three hundred and fifty pounds avoirdupois; and in this estimate I have not included one hundred and ninety-seven superb gold watches; three of the number being worth each five hundred dollars, if one. Many of them were very old, and as time-keepers valueless; the works having suffered, more or less, from corrosion — but all were richly jewelled and in cases of great worth. We estimated the entire contents of the chest, that night, at a million and a half of dollars, and, upon the subsequent disposal of the trinkets and jewels (a few being retained for our own use) it was found that we had greatly undervalued the treasure. When, at length, we had concluded our examination, and the intense excitement of the time had, in some measure, subsided, Legrand, who saw that I was dying with impatience, for a solution of this most extraordinary riddle, entered into a full detail of all the circumstances connected with it. “You remember,” said he, “the night when I [[here appears the note “(Concluded on Fourth Page.)”]] [page 4, column 1:] [[here appears the note: “(Continued from First Page.)”]] handed you the rough sketch I had made of the scarabæus. You recollect, also, that I became quite vexed at you for insisting that my drawing resembled a death’s-head. When you first made this assertion I thought you were jesting; but afterwards I called to mind the peculiar spots on the back of the insect, and admitted to myself that your remark had some little foundation in fact. Still, the sneer at my graphic powers irritated me — for I am considered a good artist — and, therefore, when you handed me the scrap of parchment, I was about to crumple it up and throw it angrily in the fire.” “The scrap of paper, you mean,” said I. “No; it had much of the appearance of paper, and at first, I supposed it to be such, but, when I came to draw upon it, I discovered it, at once, to be a piece of very thin parchment. It was quite dirty, you remember. Well, as I was in the very act of crumpling it up, my glance fell upon the sketch at which you had been looking, and you may imagine my astonishment when I perceived, in fact, the figure of a death’s-head just where, it seemed to me, I had made the drawing of the beetle. For a moment I was too much amazed to think with accuracy. I knew that my design was very different in detail from this — although there was a certain similarity in general outline. Presently I took a candle, and seating myself at the other end of the room, proceeded to scrutinize the parchment more closely. Upon turning it over, I saw my own sketch upon the reverse, just as I had made it. My first idea, now, was mere surprise at the really remarkable similarity of outline — at the singular coincidence involved in the fact, that, unknown to me, there should have been a skull upon the other side of the parchment, immediately beneath my figure of the scarabæus, and that this skull, not only in outline, but in size, should so closely resemble my drawing. I say the singularity of this coincidence absolutely stupified me for a time. This is the usual effect of such coincidences. The mind struggles to establish a connection — a sequence of cause and effect — and, being unable to do so, suffers a species of temporary paralysis. But, when I recovered from this stupor, there dawned upon me gradually a conviction which startled me even far more than the coincidence. I began distinctly, positively, to remember that there had been no drawing upon the parchment when I made my sketch of the scarabæus. I became perfectly certain of this; for I recollected turning up first one side and then the other, in search of the cleanest spot. Had the skull been then there, of course I could not have failed to notice it. Here was indeed a mystery which I felt it impossible to explain; but, even at that early moment, there seemed to glimmer, faintly, within the most remote and secret chambers of my intellect, a glow-worm-like conception of that truth which last night’s adventure brought to so magnificent a demonstration. I arose at once, dismissing all farther reflection until I should be alone. “When you had gone, and when Jupiter was fast asleep, I betook myself to a more methodical investigation of the affair. In the first place I considered the manner in which the parchment had come into my possession. The spot where we discovered the scarabæus was on the coast of the main land, about a mile eastward of the island, and but a short distance above high water mark. Upon my seizing it, it gave me a sharp bite, which caused me to let it drop. Jupiter, with his accustomed caution, before seizing the insect, which had flown towards him, looked about him for a leaf, or something of that nature, by which to take hold of it. It was at this moment that his eyes, and mine also, fell upon the scrap of parchment, which I then supposed to be paper. It was lying half buried in the sand, a corner sticking up. Near the spot where we found it, I observed the remnants of the hull of what appeared to have been a ship’s long boat. The wreck seemed to have been there for a very great while; for the resemblance to boat timbers could scarcely be traced. “Well, Jupiter picked up the parchment, wrapped the beetle in it, and gave it to me. Soon afterwards we turned to go home, and on the way met Lieutenant G —. I showed him the insect, and he begged me to let him take it to the fort. Upon my consenting, he thrust it forthwith into his waistcoat pocket, without the parchment in which it had been wrapped, and which I had continued to hold in my hand during his inspection. Perhaps he dreaded my changing my mind, and thought it best to make sure of the prize at once — you know how enthusiastic he is on all subjects connected with Natural History. At the same time, without being conscious of it, I must have deposited the parchment in my own pocket. “You remember that when I went to the table, for the purpose of making a sketch of the beetle, I found no paper where it was usually kept. I looked in the drawer and found none there. I searched my pockets, hoping to find an old letter, when my hand fell upon the parchment. I thus detail the precise mode in which it came into my possession; for the circumstances impressed me with peculiar force. “No doubt you will think me fanciful — but I had already established a kind of connection. I had put together two links of a great chain. There was a boat lying upon a sea-coast, and not far from the boat was a parchment — not a paper — with a skull depicted upon it. You will, of course, ask ‘where is the connection?’ I reply that the skull, or death’s[[-]]head, is the well-known emblem of the pirate. The flag of the death’s-head is hoisted in all engagements. “I have said that the scrap was parchment, and not paper. Parchment is durable — almost imperishable. Matters of little moment are rarely consigned to parchment; since, for the mere ordinary purposes of drawing or writing, it is not nearly so well adapted as paper. This reflection suggested some meaning — some relevancy — in the death’s-head. I did not fail to observe, also, the form of the parchment. Although one of its corners had been, by some accident, destroyed, it could be seen that the original form was oblong. It was just such a slip, indeed, as might have been chosen for a memorandum — for a record of something to be long remembered and carefully preserved.” “But,” I interposed, “you say that the skull was not upon the parchment when you made the drawing of the beetle. How then do you trace any connection between the boat and the skull — since this latter, according to your own admission, must have been designed (God only knows how or by whom) at some period subsequent to your sketching the scarabæus? “ “Ah, hereupon turns the whole mystery; although the secret, at this point, I had comparatively little difficulty in solving. My steps were sure and could afford but a single result. I reasoned, for example, thus: When I drew the scarabæus there was no skull apparent upon the parchment. When I had completed the drawing I gave it to you, and observed you narrowly until you returned it. You, therefore, did not design the skull, and no one else was present to do it. Then it was not done by human agency. And nevertheless it was done. “At this stage of my reflections I endeavored to remember, and did remember, with entire distinctness, every incident which occurred about the period in question. The weather was chilly (oh rare and happy accident!) and a fire was blazing upon the hearth. I was heated with exercise and sat near the table. You, however, had drawn a chair close to the chimney. Just as I placed the parchment in your hand, and as you were in the act of inspecting it, Wolf, the Newfoundland, entered, and leaped upon your shoulders. With your left hand you caressed him and kept him off, while your right, holding the parchment, was permitted to fall listlessly between your knees, and in close proximity to the fire. At one moment I thought the blaze had caught it, and was about to caution you, but, before I could speak, you had withdrawn it and were engaged in its examination. When I considered all these particulars, I doubted not for a moment that heat had been the agent in bringing to light, upon the parchment, the skull which I saw designed upon it. You are well aware that chemical preparations exist, and have existed time out of mind, by [column 2:] means of which it is possible to write, upon either paper or vellum, so that the characters shall become visible only when subjected to the action of fire. “I now scrutinized the death’s-head with care. Its outer edges — the edges of the drawing nearest the edge of the vellum — were far more distinct than the others. It was clear that the action of the caloric had been imperfect or unequal. I immediately kindled a fire, and subjected every portion of the parchment to a glowing heat. At first, the only effect was the strengthening of the faint lines in the skull; but, upon persevering in the experiment, there became visible, at the corner of the slip, diagonally opposite to the spot in which the death’s-head was delineated, the figure of what I at first supposed to be a goat. A closer scrutiny, however, satisfied me that it was intended for a kid.” “Ha! ha!” said I, “to be sure I have no right to laugh at you — a million and a half of money is too serious a matter for mirth — but you are not about to establish a third link in your chain — you will not find any especial connexion between your pirates and a goat — pirates, you know, have nothing to do with goats; they appertain to the farming interest.” “But I have just said that the figure was not that of a goat.” “Well, a kid then — pretty much the same thing.” “Pretty much, but not altogether,” said Legrand. “You may have heard of one Captain Kidd. I at once looked upon the figure of the animal as a kind of punning or hieroglyphical signature. I say signature; because its position upon the vellum suggested this idea. The death’s-head at the corner diagonally opposite, had, in the same manner, the air of a stamp, or seal. But I was sorely put out by the absence of all else — of the body to my imagined instrument — of the text for my context.” “I presume you expected to find a letter between the stamp and the signature.” “Something of that kind. The fact is, I felt irresistibly impressed with a presentiment of some vast good fortune impending. I can scarcely say why. Perhaps, after all, it was rather a desire than an actual belief; — but do you know that Jupiter’s silly words, about the bug being of solid gold, had a remarkable effect upon my fancy? And then the series of accidents and coincidences — these were so very extraordinary. Do you observe how mere an accident it was that these events should have occurred upon the sole day of all the year in which it has been, or may be, sufficiently cool for fire, and that without the fire, or without the intervention of the dog at the precise moment in which he appeared, I should never have become aware of the death’s-head, and so never the possessor of the treasure?” “But proceed — I am all impatience.” “Well; you have heard, of course, the many stories current — the thousand vague rumors afloat about money buried, somewhere upon the Atlantic coast, by Kidd and his associates. These rumors must have had some foundation in fact. And that the rumors have existed so long and so continuously, could have resulted, it appeared to me, only from the circumstance of the buried treasure still remaining entombed. Had Kidd concealed his plunder for a time, and afterwards reclaimed it, the rumors would scarcely have reached us in their present unvarying form. You will observe that the stories told are all about money-seekers, not about money-finders. Had the pirate recovered his money, there the affair would have dropped. It seemed to me that some accident — say the loss of a memorandum indicating its locality — had deprived him of the means of recovering it, and that this accident had become known to his followers, who otherwise might never have heard that treasure had been concealed at all, and who, busying themselves in vain, because unguided attempts, to regain it, had given first birth, and then universal currency, to the reports which are now so common. Have you ever heard of any important treasure having been unearthed by the diggers for money along the coast?” “Never.” “But that Kidd’s accumulations were immense, is well known. I took it for granted, therefore, that the earth still held them; and you will scarcely be surprised when I tell you that I felt a hope, nearly amounting to certainty, that the parchment so strangely found, involved a lost record of the place of deposit.” “But how did you proceed?” “I held the vellum again to the fire, after increasing the heat; but nothing appeared. I now thought it possible that the coating of dirt might have something to do with the failure; so I carefully rinsed the parchment by pouring warm water over it, and, having done this, I placed it in a tin pan, with the skull downwards, and put the pan upon a furnace of lighted charcoal. In a few minutes, the pan having become thoroughly heated, I removed the slip, and, to my inexpressible joy, found it spotted, in several places, with what appeared to be figures arranged in lines. Again I placed it in the pan, and suffered it to remain another minute. Upon taking it off, the whole was just as you see it now.” Here Legrand submitted the parchment to my inspection. The following characters were rudely traced between the death’s-head and the goat: 5 3 ‡ ‡ † 3 0 5 ) ) 6 * ; 4 8 2 6 ) 4 ‡ . ) 4 ‡ ) ; 8 0 6 * ; 4 8 † 8 ¶ 6 0 ) ) 8 5 ; 1 ‡ ( ; : ‡ * 8 † 8 3 ( 8 8 ) 5 * † ; 4 6 ( ; 8 8 * 9 6 * ? ; 8 ) * ‡ ( ; 4 8 5 ) ; 5 * † 2 : * ‡ ( ; 4 9 5 6 * 2 ( 5 * — 4 ) 8 ¶ 8 * ; 4 0 6 9 2 8 5 ) ; ) 6 † 8 ) 4 ‡ ‡ ; 1 ( ‡ 9 ; 4 8 0 8 1 ; 8 : 8 ‡ 1 ; 4 8 † 8 5 ; 4 ) 4 8 5 † 5 2 8 8 0 6 * 8 1 ( ‡ 9 ; 4 8 ; 8 8 ; 4 ( ‡ ? 3 4 ; 4 8 ) 4 ‡ ; 1 6 1 ; : 1 8 8 ;‡ ? ; “But,” said I, returning him the slip, “I am as much in the dark as ever. Were all the jewels of Golconda awaiting me upon my solution of this enigma, I am quite sure that I should be unable to earn them.” “And yet,” said Legrand, “the solution is by no means so difficult as you might be led to imagine from the first hasty inspection of the characters. These characters, as any one might readily guess, form a cipher — that is to say, they convey a meaning; but then, from what is known of Kidd, I could not suppose him capable of constructing any of the more abstruse cryptographs. I made up my mind, at once, that this was of a simple species — such, however, as would appear, to the crude intellect of the sailor, absolutely insoluble without the key.” “And you really solved it?” “Readily; I have solved others of an abstruseness ten thousand times greater. Circumstances, and a certain bias of mind, have led me to take interest in such riddles, and it may well be doubted whether human ingenuity can construct an enigma of the kind which human ingenuity may not, by proper application, resolve. In fact, having once established connected and legible characters, I scarcely gave a thought to the mere difficulty of developing their import. “In the present case — indeed in all cases of secret writing — the first question regards the language of the cipher; for the principles of solution, so far, especially, as the more simple ciphers are concerned, depend upon, and are varied by, the genius of the particular idiom. In general, there is no alternative but experiment (directed by probabilities) of every tongue known to him who attempts the solution, until the true one is attained. But, with the cipher now before us, all difficulty was removed by the signature. The pun upon the word ‘Kidd’ is appreciable in no other language than the English. But for this consideration I should have begun my attempts with the Spanish and French, as the tongues in which a secret of this kind would most naturally have been written by a pirate of the Spanish main. As it was, I assumed the cryptograph to be English. “You observe there are no divisions between the words. Had there been divisions, the task would have been comparatively easy. In such case I should have commenced with a collation and analysis of the shorter words, and, had a word of a single letter occurred, as is most likely, (a or I, for example,) I should have considered this solution as assured. But, there being no division, my first step was to ascertain the predominant letters, as well as the least frequent. [column 3:] Counting all, I constructed a table, thus: Of the character 8 there are  33. ; " 26. 4 " 19. ‡ ) " 16. * " 13. 5 " 12. 6 " 11. † 1 " 8. 0 " 6. 9 2 " 5. : 3 " 4. ? " 3. ¶ " 2. [[ ] ]] —. " 1. “Now, in English, the letter which most frequently occurs is e. Afterwards, the succession runs thus: a o i d h n r s t u y c f g l m w b k p q x z. E predominates so remarkably that an individual sentence of any length is rarely seen, in which it is not the prevailing character. “Here, then, we have, in the very beginning, the groundwork for something more than a mere guess. The general use which may be made of the table is obvious — but, in this particular cipher, we shall only very partially require its aid. As our predominant character is 8, we will commence by assuming it as the e of the natural alphabet. To verify the supposition, let us observe if the 8 be seen often in couples — for e is doubled with great frequency in English — in such words, for example, as ‘meet,’ ‘fleet,’’speed,’’seen,’ ‘been,’ ‘agree,’ &c. In the present instance we see it doubled no less than five times, although the cryptograph is brief. “Let us assume 8, then, as e. Now, of all words in the language, ‘the’ is most usual; let us see, therefore, whether there are not repetitions of any three characters, in the same order of collocation, the last of them being 8. If we discover repetitions of such letters, so arranged, they will most probably represent the word ‘the.’ Upon inspection, we find no less than seven such arrangements, the characters being;48. We may, therefore, assume that; represents t, 4 represents h, and 8 represents e — the last being now well confirmed. Thus a great step has been taken. “But, having established a single word, we are en

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