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5. Tchaikovsky - Concerto for Piano No. 1 in B flat minor, Op. 23. Allegro non troppo e molto maestoso

Tchaikovsky - Concerto for Piano No. 1 in B flat minor, Op. 23. Allegro non troppo e molto maestoso

The lushly romantic first theme from Tchaikovsky’s Piano Concerto No. 1 has been a mainstay in pop culture including being used as the theme to Orson Welles's famous radio series, The Mercury Theatre on the Air.

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6. Pyotr Ilyich Tcháikóvski - Piano Concerto No. 1 in B-flat minor, Op. 23.

Pyotr Ilyich Tcháikóvski - Piano Concerto No. 1 in B-flat minor, Op. 23.

1. Allegro non troppo e molto maestoso – Allegro con spirito (B flat minor → B flat major) The first movement is initiated with four emphatic B-flat minor chords, which leads to a lyrical and passionate theme in D-flat major. This subsidiary theme never appears again throughout the movement. The main theme of the concerto is a Ukrainian folk theme which is contrasted with a romantic theme, both in B-flat minor and featuring some of the melodic contours from the introduction. They are followed by a consoling orchestral A-flat major theme over a pedal point, which is repeated at the end of the exposition after a tumultuous climax in C minor. The development section juxtaposes the folk theme with the romantic theme. The recapitulation features the primary theme in the tonic key, leading into a transposition of the romantic theme and climax in the tonic major, before the excitement is cut short by an interrupted cadence and a piano cadenza. Surprisingly, the movement does not revert to the tonic minor, but instead leads to a triumphant and optimistic coda, concluding in B-flat major with a drum roll. 2. Andantino semplice – Allegro vivace assai/Prestissimo (D flat major) The second movement, in D-flat major is marked "andantino semplice", which lends itself to a range of interpretations. The movement is in ternary form (ABA). After a brief pizzicato introduction, the flute carries the first statement of the theme. The flute's opening four notes are A-flat–E-flat–F–A-flat, while each other statement of this motif in the remainder of the movement substitutes the F for a (higher) B-flat. The British pianist Stephen Hough suggests this may be an error in the published score, and that the flute should play a B-flat. After the flute's opening statement of the melody, the piano continues and modulates to F major. After a bridge section, two cellos return with the theme in D-flat major and the oboe continues it. The "A" section ends with the piano holding a high F major chord, pianissimo. The movement's "B" section is in D minor (the relative minor of F major) and marked "allegro vivace assai" or "prestissimo", depending on the edition. It commences with a virtuosic piano introduction before the piano assumes an accompanying role and the strings commence a new melody in D major melody. The "B" section ends with another virtuosic solo passage for the piano, leading into the return of the "A" section. In the return, the piano makes the first, now ornamented, statement of the theme. The oboe continues the theme, this time resolving it to the tonic (D-flat major) and setting up a brief coda which finishes ppp. 3. Allegro con fuoco (B flat minor → B flat major) The third movement is marked "allegro con fuoco", and involves the interchange between two principal themes roughly in an ABABAB structure. The "A" theme in B-flat minor, based on a Ukrainian folk song, is principally carried by the piano on each occasion. On the first two occasions it develops into a subsidiary theme, in a major key, played by the orchestra. The "B" theme also appears three times, although in very different guises. On the first occasion it is a lyrical string melody in D-flat major, which the piano develops. Its second appearance is in an abridged form and in E-flat major. Its third and final appearance is in B-flat major, after a long and climactic bridge passage. This time it is triumphal, rather than lyrical, and played fortissimo by the orchestra and piano together. This final appearance leads into a B flat major coda marked "allegro vivo". All rights reserved.

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10. Nocturne in B Flat Minor [Op. 9 No. 1] - Frederic Chopin

Nocturne in B Flat Minor [Op. 9 No. 1] - Frederic Chopin

My recording of Frederic Chopin's first published nocturne. ====================================================== This nocturne has a rhythmic freedom that came to characterise Chopin's later work. The left hand has an unbroken sequence of eighth notes in simple arpeggios throughout the entire piece, while the right hand moves with freedom in patterns of seven, eleven, twenty, and twenty-two notes. The opening section moves into a contrasting middle section, which flows back to the opening material in a transitional passage where the melody floats above seventeen consecutive bars of D-flat major chords. The reprise of the first section grows out of this, followed by a Picardy third ending. [Wikipedia] ====================================================== This recording is dedicated to my mother Elizabeth, a person who has raised me to be who I am. Your kindness, selflessness, and beautiful heart makes you one of the most important people in my life. Who knows where I'd be right now if it wasn't for your parenting. Thank you, mom. I love you so much.

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12. #4: Nocturne in b flat minor Op 9 No 1 - Chopin

  • Published: 2012-01-23T03:18:55Z
  • By AllPiano
#4: Nocturne in b flat minor Op 9 No 1 - Chopin

Go Play Week 4: Nocturne in b flat minor Op 9 No 1 - Chopin (Image via http://www.flickr.com/photos/artbystevejohnson)

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14. Tchaikovsky Concerto No. 1 in b flat minor, op. 23 (II. Andantino semplice III. Allegro con fuoco) Max Randal

Tchaikovsky Concerto No. 1 in b flat minor, op. 23 (II. Andantino semplice III. Allegro con fuoco) Max Randal

Honorable Mention Winner - Max Randal Tchaikovsky Concerto No. 1 in b flat minor, op. 23 (II. Andantino semplice III. Allegro con fuoco) Max Randal

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16. Tchaikovsky - Piano Concerto No. 1 in B-flat minor, Op. 23 - Allegro non troppo

Tchaikovsky - Piano Concerto No. 1 in B-flat minor, Op. 23 - Allegro non troppo

This playlist is a preview of our album, "Tchaikovsky & Grieg - Piano Concertos" performed by Denis Kozhukhin, Rundfunk-Sinfonieorchester Berlin, conducted by Vassily Sinaisky. This new PENTATONE release marks the start of the musical collaboration between the label and the young Russian pianist Denis Kozhukhin. Kozhukhin chose two concertos that against all odds, both turned out to become “virtuoso warhorses”. You can order the album here bit.ly/1opaZ72

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