Quick list of things that were changed: Current Version: 3.5 CHANGELOG -- Version 3.5: DL: MP3: https://mega.co.nz/#!fYgmQCiS!mZaQ_UR175BB34fpu66YlguZJ_RGj10mrbXZHUNo4PY Lossless: https://mega.co.nz/#!vNwR2YYZ!Xu3582nF54Fi0S6Ea7CA1DHZg3uU0aJEkdKliHzAjSY Added Organ stems Added Grand Piano (Extrabass) stems Tweaked Dynamics Reworked the whole track (volume, re-enforced more parts toward the beginning, so the beginning will sound a lot fatter, etc.) Just made everything much bigger and better in general, the way it would have sounded on the OST in the first place.

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I created a suite featuring the best parts of "Mountains" and "Tick-Tock" mixed together, and I edited in the last part of "No Time for Caution", because it is based on "Tick-Tock" anyway. The version of "No Time for Caution" included in this track has the real vocals. This should hold some people over until I publish the next version of "No Time for Caution". I will likely release two versions, one that is as close as the film mix as possible, and another with my own modifications.

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Updated Feb 9th, 2015, version 2, (completely changed everything, track is much longer, more variations, piano sounds less shitty) I've written this from scratch, this is a complete mock-up since "Quantifiable Connection" is damaged, the first step is completely writing out all of the included material. Q.C. is just an extended version of "Cornfield Chase", and I was sure to include all of that material here in long form before I began to edit it all down to make the film version of "Quantifiable Connection". Download link: https://mega.co.nz/#!OIZSXDqB!ZJDepTYlzr0FxRy1qa_xBFTOSqMot6KIovxQj8T57d0 No audio from the soundtrack was used.

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God Save Us - Extended using Camerlingo Suite

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Version Two: *Fixed sequencer synchronization issues from 0:52.5 - 1:39.5 *Reworked everything after 2:17 - added pipe organ, tremolo harmonic violin stems, more accurate chord progression, built further upon "Quantifiable Connection" *added high string stem from 3:46 - 4:05 *Changed the ending - merged outro of "Our World" with the outro of "What happens Now?", (this is what was missing, and is a big deal because now the ending is 100% accurate to the real end credits suite) *other misc changes based on the IMAX End Credits bootleg recording ----- ---this version was made while the movie was in theaters, we have the real one now--- I had to write most of the piano stems over from scratch, it borrowed from like 5 different tracks, switching back and forth from one another constantly, repeated bars, ninja edits, pieces I had to make from scratch because it used unreleased material, etc. etc. I had to re-create "Quantifiable Connection" and layer it because it was damaged and the "Fixed" version sounded like shit. It makes for a beautiful ending of an amazing story. Make sure to Like & Subscribe for similar content!

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Reproductions and pieces of Hans Zimmer's arcade and Zod Themes and their variations intelligently edited together for a more concise listening experience than any single track released by Watertower.

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Fixed some organ stem notation (2:36-3:00) that was reverted / wrong when porting the project from old project, made the organ louder when the strings at the end start up, fixed vocal perc, organ louder in general, less synth in the mix. MP3: https://mega.co.nz/#!OVwzAaQC!PG71pl5r81WPMugOCj1-kqyQW1WmJEIHl2CIn-KaGTE FLAC: https://mega.co.nz/#!yMQQCKwR!b3EB1_skbjbgiATikgB0ijjAdaxHmF-saX8e1Xna2yI

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Differences between Film Version and Album Version: Synth drones and metallic sounds all cut off instantly at 1:37, instead of rolling off/fading out into the organ outro, and the outro is shorter and faster with different organ settings/tones. This is a custom edit by me using some of the DVD audio. FLAC: https://mega.co.nz/#!PZxkGAhL!opI4BSne-Oj1qJgKNH8HN4DPOSgwS7IiSoJX0uFcTt4

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This track was a massive task inside of another massive project. I'm building an entire lossless album release of the film versions of the whole score from Inception. Including the missing cues. Check FFShrine over the coming days. Patreon donors already have access to all of these tracks. This track has gone unreleased for 6 years. For the first time, people can hear it the way it was meant to be heard. Just listen to Hans Zimmer explain this cue in interviews to understand the genius and backstory behind it. Needless to say, reproducing it was not an easy task. Download link: Become a Patron! https://www.patreon.com/Yourfavoratemusic

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A piano-ish based arrangement of Day One that I've made.

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Some people wanted to hear what this part sounded like without a whole bunch of muddiness and up close, so I wrote in all of the notes from scratch and put this together, mocking it up using samples for those people. This should also be proof enough that the real "No Time For Caution" is using samples as well.

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