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2. No.1

  • Published: 2017-04-12T02:11:05Z
  • By 67tasman
No.1

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4. 1. Tournemire - Sept chorals-poèmes, Op. 67 - No. 1: Pater dimite illis, nesciunt enim quid faciunt

1. Tournemire - Sept chorals-poèmes, Op. 67 - No. 1: Pater dimite illis, nesciunt enim quid faciunt

Charles Tournemire: Sept choral-poèmes pour les sept paroles du Xrist, Op. 67 (Seven Chorale Poems on the Seven Last Words of Christ), performed by Robert Glasgow at Independent Presbyterian Church, Birmingham, Alabama, during the 1975 Religious Arts Festival on May 12, 1975 No. 1: "Father, forgive them, for they know not what they do."

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5. Songs without words Op 67 No 1 played by Paul Wittgenstein

Songs without words Op 67 No 1 played by Paul Wittgenstein

Hupfeld piano roll 58791, c.1922. Recorded on Gotha Steck 7'4" Pianola grand. (Some roll damage, marginal notes sounding)

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6. Song without Words, Op. 67 No. 1

Song without Words, Op. 67 No. 1

Song without Words, Op. 67 No. 1 in E-flat Major, by Felix Mendelssohn I played this tender lullaby-like piece for a service prelude at Resurrection Lutheran Lutheran Cary in 2005. Their sanctuary piano is a Kawaii Grand. I prefer a bit slower tempo than you'll sometimes hear in recordings by more well-known artists. You can also view this on my YouTube Channel where it is paired with a meditation from Psalm 139 and features the photography of Cindy Ippel Salas. http://www.youtube.com/watch?v=06wdoItsC9U

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14. 21 - Scriabin Two Preludes Op 67 No 1

21 - Scriabin Two Preludes Op 67 No 1

Scriabin specialist James Kreiling invites us into the composer’s heady and intoxicating musical world as he performs Scriabin’s complete late piano music. Scriabin was a master of the miniature, and these short works make up the majority of his musical output. To listen to Scriabin’s late music is to enter a different world, a realm of suggestion, seduction, delirium, dance, beauty, even terror. Within 20 years, his music had developed from the romantic miniature, influenced by Chopin, Schumann, and Liszt, to music which extended tonality to its limitations. The late miniatures heard on this release are perhaps the best place to start if approaching this music for the first time. More than just musical experiments in preparation for the longer sonatas, they are perfectly contained musical worlds, each entirely different and unique from the others. They range from more extended works such as the dream-like, half-lit world of the Poème-Nocturne, to rarely-heard gems such as the Feuillet d’album, the Quatre Pièces, and Scriabin’s exploration of the intervals of the 9th, 7th, and 5th, in the Trois Études, Op. 65. Most of Scriabin’s miniatures were published in contrasting pairs, emphasising a key element of his late style: opposites and contrast. The concept of opposing forces is found throughout Scriabin’s thinking, taking on many forms: impulsive, energised and fiery, versus languorous, beautiful, seductive; or as contrasting states – purity and terror, material and spiritual, good and evil, light and dark. James Kreiling, who specialised in this repertoire for his Doctorate, brings a rare level of insight and inspiration to his performances of Scriabin’s late music. Every nuance is understood and communicated with subtlety and sensuality, the kaleidoscope of Scriabin’s palette of colours drawn out in Kreiling’s outstanding interpretations.

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16. Chopin Op.67 Mazurka In G Major No.1

Chopin Op.67 Mazurka In G Major No.1

Not my fingers

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19. NO1 - To The Women ($JAYY Official Remix)

  • Published: 2016-01-29T20:16:26Z
  • By Sjayy
NO1 - To The Women ($JAYY Official Remix)

WE TALKED IT OVER AND NOAH WAS DOWN FOR THE DROP! SO $JAYY CARTEL(follow this new account) teams up with NO1 Drug on his official remix of "To The Women" Download for FREE on The Artist Union: https://theartistunion.com/tracks/457a67 Follow NO1: Website: NO1DRUG.COM Soundcloud: @No1drugs twitter: http://twitter.com/NO1Drug Download for free on The Artist Union

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