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6. Mannes Orchestra - Bernard Hermann - Overture - Suite from North by Northwest

Mannes Orchestra - Bernard Hermann - Overture - Suite from North by Northwest

THE MANNES ORCHESTRA: David Hayes, Music Director Friday, September 28, 2012 at 7:30 p.m. Centennial Memorial Temple PROGRAM Symphony No. 44 in E minor Joseph Haydn Allegro con brio (1732-1809) Menuetto: Allegretto Adagio Finale: Presto Suite from North by Northwest (1959) Bernard Herrmann Overture (1911-1975) Conversation Piece The Match Box Mount Rushmore Sequence The Miraculous Mandarin, op. 19 Béla Bartók Allegro: Introduction (1881-1945) Moderato: First decoy game Second decoy game Sostenuto: Third decoy game Maestoso: The Mandarin enters Allegro: The girl sinks down to embrace him Sempre vivace: A wild chase begins David Hayes is a conductor with an unusually broad range of repertory, spanning the symphonic, oratorio/choral, and operatic genres. Mr. Hayes is currently the Music Director of the Mannes Orchestra, Professor of Professional Practice at Mannes College The New School for Music, Staff Conductor of the Curtis Symphony Orchestra, Music Director of The Philadelphia Singers (a professional vocal ensemble) and the newly appointed Music Director of the New York Choral Society. Mr. Hayes recently concluded a decade-long tenure on the conducting staff of The Philadelphia Orchestra (with whom he made his subscription debut in 1993 at the request of Wolfgang Sawallisch). He has also served as a cover conductor for the New York Philharmonic as well as for Sir Andre Previn on the Curtis Symphony Orchestra’s 1999 European Tour with Anne-Sophie Mutter. Recent guest conducting engagements have included leading Britten’s The Rape of Lucretia and the East Coast Premiere performances of Tan Dun’s Tea for the Opera Company of Philadelphia as well as conducting the finals of the Fulbright Piano Competition with the Artosphere Festival Orchestra. The 2011-2012 season saw Mr. Hayes lead: performances of the Mannes Orchestra at Alice Tully Hall and Carnegie Hall (including the New York premiere of Elliott Carter’s Flute Concerto); subscription concerts of The Philadelphia Singers; the Curtis 20/21 ensemble in a concert with Roberto Diaz as soloist in December; serve as lead faculty for the Chorus America National Choral/Orchestral Conducting Masterclass in New York in January 2012; a Curtis Opera Theatre production of Bellini’s I Capuleti e i Montecchi; and the Berkshire Choral Festival for a concert of opera acts by Puccini, Verdi and Bizet. Mr. Hayes’s guest conducting engagements over the past few seasons have included concerts with the Philadelphia Orchestra, the Richmond Symphony Orchestra, the Lancaster (PA) Symphony Orchestra, the Louisiana Philharmonic, The Relâche Ensemble, the Rutgers Orchestra, The Curtis Symphony Orchestra, the Chamber Orchestra of Philadelphia, the Curtis Opera Theatre, the Opera Company of Philadelphia, and a Kennedy Center debut with the Washington Chorus and Orchestra (which includes members of the National Symphony Orchestra). Mr. Hayes has collaborated with some of the world’s finest soloists including: Roberto Diàz, Vladimir Feltsman, Haijing Fu, Evelyn Glennie, Gary Graffman, Hillary Hahn, Jennifer Koh, Meng-Chieh Liu, Alan Morrison, William Burden, Nancy Maultsby, Meredith Arwady and Rinat Shaham. In addition, Mr. Hayes has a strong commitment to nourishing contemporary music and frequently collaborates with composers. Among the notable composers with whom he has collaborated are: Tan Dun, Jennifer Higdon, Ezra Laderman, Sir James MacMillan, Paul Moravec, Bright Sheng, Christopher Theofanidis and Chen Yi, among many others. In the world of popular artists, Mr. Hayes has conducted concerts with Billy Joel, Blue Man Group and John Lithgow. Mr. Hayes made his debut at the Verbier Festival with the Curtis Orchestra and has made several appearances with the Springfield (MA) Symphony Orchestra at the Berkshire Choral Festival. In addition, Mr. Hayes and the Mannes Orchestra continue to make yearly appearances at the Mannes Contemporary Music Festival. THE MANNES ORCHESTRA Violin Katherine Liccardo, Concertmaster A Jin Choi Anna Choi Johannes Chung Caroline Cox Shuaili Du Basma Edrees Delaney Harter Jingyi Hou Young Soo Jang Yoorim Kim Katherine Meyers Meredith Ezinma Ramsay Michael Tropepe Chiung-Hua Tsai Jacqueline Vanasse Emily Vold, principal Yu-Ti Chang Christine Choi Hiu Kai Fan Mara Gerety Anna Hiemstra Trevor Hofelich Shushi Hori Aria Kitaguchi Jess Lo Amy Tan Weilong Wang Xinou Wei Yijia Zhang Viola Samuel Kelder, principal Xue Ding Heather Faust Yi-Li Lai Wen Guan Li Patrick Page Jesus Rodriguez Gonzalez Sarah Thrall Hsin-Yun Yang Taeyoung Yoon Qiyun Zhao Cello Zexun Shen, principal Jeanne Dorche Joseph Gotoff Mark Humburg Monica Ji Sooyoun Lim Ji-Hwon Na In Young Park Jae Hee Park Chan Kyung Jane Park Yoonjin Park Ji-Hyeon Yun Bass Aleksey Klyushnik, principal The Homer Mensch Chair Anthony Bellamy Lea Ivanovic Ryan Koehler Carlin Rizzo Andrew Rogers Yu-Chi Wang Flute Michelle Stockman, principal Seung Jae Yoo, principal Min Jee Kim Juhye Lee Juhyo Lee Sojung Moon Oboe Ellen Hindson, principal Cory Snoddy, principal Cat Cantrell Ron Cohen Mann Evan Sanchez English Horn Phillip Rashkin Clarinet Miles Jaques, principal Yoonah Kim, principal Eric Fung Brian Park Diego Vasquez Jinju Yeo Bassoon Mary Catherine McKee, principal Colin Mannes, principal Peng Zhang Contrabassoon Annamaria Kis Ven Saxophone Robert Harvey Horn Alexander Chin, principal Tsviki Moran, principal Jonathan Carroll David Flaum Merav Goldman Jessica Lombardo Eric Vanderlaan Nicholas Walls Trumpet Alexandria Smith, principal Matthew Brunt David Freides Melanie Gold Daniel Rodriguez Trombone Chia-Hsien Lin, principal Andrew David Nissen, principal Richard Rituper Bass Trombone Daniel Dunford Matthew Winter Tuba Christopher Smith Harp Kathryn Andrews Kristi Shade Piano Alexander Bryson Celeste Stanislav Fridman Timpani Phillip Gallo Austin Holm Percussion Joshua Azenberg Phillip Gallo Austin Holm Maiko Hosoda Jessica Tsang Orchestra Librarians: Christopher Smith, Alexandria Smith, Dong Myung Sohn Orchestra Crew: Eric Fung, Annamaria Kis Ven Director of Instrumental Studies: Chris Gulhaugen Assistant Director of Instrumental Studies: Elizabeth Weisser About Mannes College The New School for Music Mannes College The New School for Music develops the next generation of classical music citizens by combining music conservatory traditions with the cutting-edge advantage of being part of The New School, the nation’s foremost progressive university. Founded in 1916, the Mannes formula for quality education has capitalized on its world-class faculty, location in the heart of the global arts capital, small class size, and a living tradition of rigor and depth that develops strong technique and great artistry. The Mannes ethos forms the basis of a vibrant community, whether you are a degree or diploma student in the College or Extension divisions, or a young person studying in Mannes Prep. In this second decade of the 21st century, when demands on artists are greater and more complex than ever, Mannes is committed to providing a wide range of exciting learning and knowledge building in partnership with its sister divisions of The New School, including one of the world’s great design schools, Parsons The New School for Design; the liberal arts at Eugene Lang College; public policy, business, and civic engagement in The New School for Public Engagement; and cross disciplinary arts learning at The New School for Jazz and Contemporary Music and The New School for Drama. For more information on Mannes and The New School visit: http://www.newschool.edu/mannes

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10. Mannes Orchestra - Bernard Hermann - Conversation Piece- Suite from North by Northwest

Mannes Orchestra - Bernard Hermann - Conversation Piece- Suite from North by Northwest

THE MANNES ORCHESTRA: David Hayes, Music Director Friday, September 28, 2012 at 7:30 p.m. Centennial Memorial Temple PROGRAM Symphony No. 44 in E minor Joseph Haydn Allegro con brio (1732-1809) Menuetto: Allegretto Adagio Finale: Presto Suite from North by Northwest (1959) Bernard Herrmann Overture (1911-1975) Conversation Piece The Match Box Mount Rushmore Sequence The Miraculous Mandarin, op. 19 Béla Bartók Allegro: Introduction (1881-1945) Moderato: First decoy game Second decoy game Sostenuto: Third decoy game Maestoso: The Mandarin enters Allegro: The girl sinks down to embrace him Sempre vivace: A wild chase begins David Hayes is a conductor with an unusually broad range of repertory, spanning the symphonic, oratorio/choral, and operatic genres. Mr. Hayes is currently the Music Director of the Mannes Orchestra, Professor of Professional Practice at Mannes College The New School for Music, Staff Conductor of the Curtis Symphony Orchestra, Music Director of The Philadelphia Singers (a professional vocal ensemble) and the newly appointed Music Director of the New York Choral Society. Mr. Hayes recently concluded a decade-long tenure on the conducting staff of The Philadelphia Orchestra (with whom he made his subscription debut in 1993 at the request of Wolfgang Sawallisch). He has also served as a cover conductor for the New York Philharmonic as well as for Sir Andre Previn on the Curtis Symphony Orchestra’s 1999 European Tour with Anne-Sophie Mutter. Recent guest conducting engagements have included leading Britten’s The Rape of Lucretia and the East Coast Premiere performances of Tan Dun’s Tea for the Opera Company of Philadelphia as well as conducting the finals of the Fulbright Piano Competition with the Artosphere Festival Orchestra. The 2011-2012 season saw Mr. Hayes lead: performances of the Mannes Orchestra at Alice Tully Hall and Carnegie Hall (including the New York premiere of Elliott Carter’s Flute Concerto); subscription concerts of The Philadelphia Singers; the Curtis 20/21 ensemble in a concert with Roberto Diaz as soloist in December; serve as lead faculty for the Chorus America National Choral/Orchestral Conducting Masterclass in New York in January 2012; a Curtis Opera Theatre production of Bellini’s I Capuleti e i Montecchi; and the Berkshire Choral Festival for a concert of opera acts by Puccini, Verdi and Bizet. Mr. Hayes’s guest conducting engagements over the past few seasons have included concerts with the Philadelphia Orchestra, the Richmond Symphony Orchestra, the Lancaster (PA) Symphony Orchestra, the Louisiana Philharmonic, The Relâche Ensemble, the Rutgers Orchestra, The Curtis Symphony Orchestra, the Chamber Orchestra of Philadelphia, the Curtis Opera Theatre, the Opera Company of Philadelphia, and a Kennedy Center debut with the Washington Chorus and Orchestra (which includes members of the National Symphony Orchestra). Mr. Hayes has collaborated with some of the world’s finest soloists including: Roberto Diàz, Vladimir Feltsman, Haijing Fu, Evelyn Glennie, Gary Graffman, Hillary Hahn, Jennifer Koh, Meng-Chieh Liu, Alan Morrison, William Burden, Nancy Maultsby, Meredith Arwady and Rinat Shaham. In addition, Mr. Hayes has a strong commitment to nourishing contemporary music and frequently collaborates with composers. Among the notable composers with whom he has collaborated are: Tan Dun, Jennifer Higdon, Ezra Laderman, Sir James MacMillan, Paul Moravec, Bright Sheng, Christopher Theofanidis and Chen Yi, among many others. In the world of popular artists, Mr. Hayes has conducted concerts with Billy Joel, Blue Man Group and John Lithgow. Mr. Hayes made his debut at the Verbier Festival with the Curtis Orchestra and has made several appearances with the Springfield (MA) Symphony Orchestra at the Berkshire Choral Festival. In addition, Mr. Hayes and the Mannes Orchestra continue to make yearly appearances at the Mannes Contemporary Music Festival. THE MANNES ORCHESTRA Violin Katherine Liccardo, Concertmaster A Jin Choi Anna Choi Johannes Chung Caroline Cox Shuaili Du Basma Edrees Delaney Harter Jingyi Hou Young Soo Jang Yoorim Kim Katherine Meyers Meredith Ezinma Ramsay Michael Tropepe Chiung-Hua Tsai Jacqueline Vanasse Emily Vold, principal Yu-Ti Chang Christine Choi Hiu Kai Fan Mara Gerety Anna Hiemstra Trevor Hofelich Shushi Hori Aria Kitaguchi Jess Lo Amy Tan Weilong Wang Xinou Wei Yijia Zhang Viola Samuel Kelder, principal Xue Ding Heather Faust Yi-Li Lai Wen Guan Li Patrick Page Jesus Rodriguez Gonzalez Sarah Thrall Hsin-Yun Yang Taeyoung Yoon Qiyun Zhao Cello Zexun Shen, principal Jeanne Dorche Joseph Gotoff Mark Humburg Monica Ji Sooyoun Lim Ji-Hwon Na In Young Park Jae Hee Park Chan Kyung Jane Park Yoonjin Park Ji-Hyeon Yun Bass Aleksey Klyushnik, principal The Homer Mensch Chair Anthony Bellamy Lea Ivanovic Ryan Koehler Carlin Rizzo Andrew Rogers Yu-Chi Wang Flute Michelle Stockman, principal Seung Jae Yoo, principal Min Jee Kim Juhye Lee Juhyo Lee Sojung Moon Oboe Ellen Hindson, principal Cory Snoddy, principal Cat Cantrell Ron Cohen Mann Evan Sanchez English Horn Phillip Rashkin Clarinet Miles Jaques, principal Yoonah Kim, principal Eric Fung Brian Park Diego Vasquez Jinju Yeo Bassoon Mary Catherine McKee, principal Colin Mannes, principal Peng Zhang Contrabassoon Annamaria Kis Ven Saxophone Robert Harvey Horn Alexander Chin, principal Tsviki Moran, principal Jonathan Carroll David Flaum Merav Goldman Jessica Lombardo Eric Vanderlaan Nicholas Walls Trumpet Alexandria Smith, principal Matthew Brunt David Freides Melanie Gold Daniel Rodriguez Trombone Chia-Hsien Lin, principal Andrew David Nissen, principal Richard Rituper Bass Trombone Daniel Dunford Matthew Winter Tuba Christopher Smith Harp Kathryn Andrews Kristi Shade Piano Alexander Bryson Celeste Stanislav Fridman Timpani Phillip Gallo Austin Holm Percussion Joshua Azenberg Phillip Gallo Austin Holm Maiko Hosoda Jessica Tsang Orchestra Librarians: Christopher Smith, Alexandria Smith, Dong Myung Sohn Orchestra Crew: Eric Fung, Annamaria Kis Ven Director of Instrumental Studies: Chris Gulhaugen Assistant Director of Instrumental Studies: Elizabeth Weisser About Mannes College The New School for Music Mannes College The New School for Music develops the next generation of classical music citizens by combining music conservatory traditions with the cutting-edge advantage of being part of The New School, the nation’s foremost progressive university. Founded in 1916, the Mannes formula for quality education has capitalized on its world-class faculty, location in the heart of the global arts capital, small class size, and a living tradition of rigor and depth that develops strong technique and great artistry. The Mannes ethos forms the basis of a vibrant community, whether you are a degree or diploma student in the College or Extension divisions, or a young person studying in Mannes Prep. In this second decade of the 21st century, when demands on artists are greater and more complex than ever, Mannes is committed to providing a wide range of exciting learning and knowledge building in partnership with its sister divisions of The New School, including one of the world’s great design schools, Parsons The New School for Design; the liberal arts at Eugene Lang College; public policy, business, and civic engagement in The New School for Public Engagement; and cross disciplinary arts learning at The New School for Jazz and Contemporary Music and The New School for Drama. For more information on Mannes and The New School visit: http://www.newschool.edu/mannes

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11. Oxmo Puccino - La part d'honneur

  • Published: 2014-06-13T16:46:38Z
  • By Cinq7
Oxmo Puccino - La part d'honneur

Cliquez ici pour télécharger gratuitement le titre: http://po.st/oxmolapartdhonneurdl Ou sur le bouton télécharger "La Part d' Honneur" (Oxmo Puccino / Oxmo Puccino - Tahiti Boy) Edts: Warner Chappell / Derrière Les Planches / Seduce Réalisé par Tahiti Boy Enregistré au studio Microbe par Samy Osta assisté de Guillaume Jaoul Mixé par Samy Osta Tahiti Boy (Claviers / Arrangements des cordes) Didier Perrin (basse) Jean Thévenin (batterie) Samy Osta (guitare) Christelle Lassort (Violon) François Villevielle (violon) Martin Rodriguez (Alto) Vincent Catulescu (cello) Choeurs: Faustine Galicie, Hanna Goldberg, Mathias Goldberg, Anouk Malewski, Rayan Benhamed, Romain Troussel—Lamoureux Merci à Tim Bergevin, Paul Mesguich, Nicole Schluss, Marc Mottin, Matthieu Remond, Armel Bernard, Céline Roger, Jérôme Thomas, Jessica Boukris

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12. Mannes Orchestra - Bernard Hermann - Mount Rushmore Sequence - Suite from North by Northwest

Mannes Orchestra - Bernard Hermann - Mount Rushmore Sequence - Suite from North by Northwest

THE MANNES ORCHESTRA: David Hayes, Music Director Friday, September 28, 2012 at 7:30 p.m. Centennial Memorial Temple PROGRAM Symphony No. 44 in E minor Joseph Haydn Allegro con brio (1732-1809) Menuetto: Allegretto Adagio Finale: Presto Suite from North by Northwest (1959) Bernard Herrmann Overture (1911-1975) Conversation Piece The Match Box Mount Rushmore Sequence The Miraculous Mandarin, op. 19 Béla Bartók Allegro: Introduction (1881-1945) Moderato: First decoy game Second decoy game Sostenuto: Third decoy game Maestoso: The Mandarin enters Allegro: The girl sinks down to embrace him Sempre vivace: A wild chase begins David Hayes is a conductor with an unusually broad range of repertory, spanning the symphonic, oratorio/choral, and operatic genres. Mr. Hayes is currently the Music Director of the Mannes Orchestra, Professor of Professional Practice at Mannes College The New School for Music, Staff Conductor of the Curtis Symphony Orchestra, Music Director of The Philadelphia Singers (a professional vocal ensemble) and the newly appointed Music Director of the New York Choral Society. Mr. Hayes recently concluded a decade-long tenure on the conducting staff of The Philadelphia Orchestra (with whom he made his subscription debut in 1993 at the request of Wolfgang Sawallisch). He has also served as a cover conductor for the New York Philharmonic as well as for Sir Andre Previn on the Curtis Symphony Orchestra’s 1999 European Tour with Anne-Sophie Mutter. Recent guest conducting engagements have included leading Britten’s The Rape of Lucretia and the East Coast Premiere performances of Tan Dun’s Tea for the Opera Company of Philadelphia as well as conducting the finals of the Fulbright Piano Competition with the Artosphere Festival Orchestra. The 2011-2012 season saw Mr. Hayes lead: performances of the Mannes Orchestra at Alice Tully Hall and Carnegie Hall (including the New York premiere of Elliott Carter’s Flute Concerto); subscription concerts of The Philadelphia Singers; the Curtis 20/21 ensemble in a concert with Roberto Diaz as soloist in December; serve as lead faculty for the Chorus America National Choral/Orchestral Conducting Masterclass in New York in January 2012; a Curtis Opera Theatre production of Bellini’s I Capuleti e i Montecchi; and the Berkshire Choral Festival for a concert of opera acts by Puccini, Verdi and Bizet. Mr. Hayes’s guest conducting engagements over the past few seasons have included concerts with the Philadelphia Orchestra, the Richmond Symphony Orchestra, the Lancaster (PA) Symphony Orchestra, the Louisiana Philharmonic, The Relâche Ensemble, the Rutgers Orchestra, The Curtis Symphony Orchestra, the Chamber Orchestra of Philadelphia, the Curtis Opera Theatre, the Opera Company of Philadelphia, and a Kennedy Center debut with the Washington Chorus and Orchestra (which includes members of the National Symphony Orchestra). Mr. Hayes has collaborated with some of the world’s finest soloists including: Roberto Diàz, Vladimir Feltsman, Haijing Fu, Evelyn Glennie, Gary Graffman, Hillary Hahn, Jennifer Koh, Meng-Chieh Liu, Alan Morrison, William Burden, Nancy Maultsby, Meredith Arwady and Rinat Shaham. In addition, Mr. Hayes has a strong commitment to nourishing contemporary music and frequently collaborates with composers. Among the notable composers with whom he has collaborated are: Tan Dun, Jennifer Higdon, Ezra Laderman, Sir James MacMillan, Paul Moravec, Bright Sheng, Christopher Theofanidis and Chen Yi, among many others. In the world of popular artists, Mr. Hayes has conducted concerts with Billy Joel, Blue Man Group and John Lithgow. Mr. Hayes made his debut at the Verbier Festival with the Curtis Orchestra and has made several appearances with the Springfield (MA) Symphony Orchestra at the Berkshire Choral Festival. In addition, Mr. Hayes and the Mannes Orchestra continue to make yearly appearances at the Mannes Contemporary Music Festival. THE MANNES ORCHESTRA Violin Katherine Liccardo, Concertmaster A Jin Choi Anna Choi Johannes Chung Caroline Cox Shuaili Du Basma Edrees Delaney Harter Jingyi Hou Young Soo Jang Yoorim Kim Katherine Meyers Meredith Ezinma Ramsay Michael Tropepe Chiung-Hua Tsai Jacqueline Vanasse Emily Vold, principal Yu-Ti Chang Christine Choi Hiu Kai Fan Mara Gerety Anna Hiemstra Trevor Hofelich Shushi Hori Aria Kitaguchi Jess Lo Amy Tan Weilong Wang Xinou Wei Yijia Zhang Viola Samuel Kelder, principal Xue Ding Heather Faust Yi-Li Lai Wen Guan Li Patrick Page Jesus Rodriguez Gonzalez Sarah Thrall Hsin-Yun Yang Taeyoung Yoon Qiyun Zhao Cello Zexun Shen, principal Jeanne Dorche Joseph Gotoff Mark Humburg Monica Ji Sooyoun Lim Ji-Hwon Na In Young Park Jae Hee Park Chan Kyung Jane Park Yoonjin Park Ji-Hyeon Yun Bass Aleksey Klyushnik, principal The Homer Mensch Chair Anthony Bellamy Lea Ivanovic Ryan Koehler Carlin Rizzo Andrew Rogers Yu-Chi Wang Flute Michelle Stockman, principal Seung Jae Yoo, principal Min Jee Kim Juhye Lee Juhyo Lee Sojung Moon Oboe Ellen Hindson, principal Cory Snoddy, principal Cat Cantrell Ron Cohen Mann Evan Sanchez English Horn Phillip Rashkin Clarinet Miles Jaques, principal Yoonah Kim, principal Eric Fung Brian Park Diego Vasquez Jinju Yeo Bassoon Mary Catherine McKee, principal Colin Mannes, principal Peng Zhang Contrabassoon Annamaria Kis Ven Saxophone Robert Harvey Horn Alexander Chin, principal Tsviki Moran, principal Jonathan Carroll David Flaum Merav Goldman Jessica Lombardo Eric Vanderlaan Nicholas Walls Trumpet Alexandria Smith, principal Matthew Brunt David Freides Melanie Gold Daniel Rodriguez Trombone Chia-Hsien Lin, principal Andrew David Nissen, principal Richard Rituper Bass Trombone Daniel Dunford Matthew Winter Tuba Christopher Smith Harp Kathryn Andrews Kristi Shade Piano Alexander Bryson Celeste Stanislav Fridman Timpani Phillip Gallo Austin Holm Percussion Joshua Azenberg Phillip Gallo Austin Holm Maiko Hosoda Jessica Tsang Orchestra Librarians: Christopher Smith, Alexandria Smith, Dong Myung Sohn Orchestra Crew: Eric Fung, Annamaria Kis Ven Director of Instrumental Studies: Chris Gulhaugen Assistant Director of Instrumental Studies: Elizabeth Weisser About Mannes College The New School for Music Mannes College The New School for Music develops the next generation of classical music citizens by combining music conservatory traditions with the cutting-edge advantage of being part of The New School, the nation’s foremost progressive university. Founded in 1916, the Mannes formula for quality education has capitalized on its world-class faculty, location in the heart of the global arts capital, small class size, and a living tradition of rigor and depth that develops strong technique and great artistry. The Mannes ethos forms the basis of a vibrant community, whether you are a degree or diploma student in the College or Extension divisions, or a young person studying in Mannes Prep. In this second decade of the 21st century, when demands on artists are greater and more complex than ever, Mannes is committed to providing a wide range of exciting learning and knowledge building in partnership with its sister divisions of The New School, including one of the world’s great design schools, Parsons The New School for Design; the liberal arts at Eugene Lang College; public policy, business, and civic engagement in The New School for Public Engagement; and cross disciplinary arts learning at The New School for Jazz and Contemporary Music and The New School for Drama. For more information on Mannes and The New School visit: http://www.newschool.edu/mannes

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