Official Instrumental of Alone by Benjamin Rannou
Free Download: http://pumpyoursound.com/fangate/detail/15627-alan-walker-alone-benjamin-rannou-instrumental
Feel free to use it for a cover. Give me the link/credit so i can check it out :)
My Instrumental cover/mix of P!nk - What About Us
Everything is recorded and produced by me
Official Lyric Vid: https://www.youtube.com/watch?v=IvbYWf42uHA
Music Rights belong to @BenjaminRannou
If you wanna use this verison, make sure to ask before.
Official Wavoremix of "Whatever I Want" by Benjamin Rannou & Singer Alex Noss.
Link to competition:
Vote on my entry here:
My entry on the WAVO Remix Competition - Not Going Home by DVBBS
Link to the competition: https://wavo.me/dvbbs/remix-competition-not-going-home
Vote for me here: https://wavo.me/dvbbs/remix-competition-not-going-home/dvbbs_cmc_ft_gia_koka_not_going_home_benjamin_rannou_remix__18865744700410000?u=57fa9457e229b1b97700223e&s=BXZ9CQ_pwKd_7krf6dIBIatCoEw&v=1
My entry on the Wavo remix contest of "Hunter" by Galantis,
Music belong to Benjamin Rannou
Acapella belong to Galantis and their label
Link to the contest:
Vote for my entry here:
Bpm 105, A minor
De 0 à 1 million d’utilisateurs : comment orchestrer la croissance ?
Description : Pierre Rannou est le CEO de Flat, un outil d’édition de partitions musicales en ligne. La particularité de Flat, c’est la vitesse à laquelle leur base d’utilisateurs grossit : à vue d’oeil, avec un beau score de 1000 inscrits chaque jour. Dans ce Talk, Pierre revient sur ce qui l’a mené à bâtir cette boîte, et principalement sur le “comment”.
At a time of gathering momentum, ALPHA is rereleasing 14 seminal recordings in a collection called, quite simply, ALPHA
This series brings together the finest Baroque recordings from the Alpha and ZZT catalogues: discs singled out for honours,
emblematic artists of music from that period, recordings that marked the discography...
This is also the occasion to discover or rediscover universally known works as well as world premiere recordings of rarities.
In the framework of these rereleases, the performers have been interviewed and bear witness to their view of the work and
their recording several years later, and their fascinating remarks are taken up in the booklets (all trilingual: French, English,